The Artistic Achievements of Mr. Huang Tinghui, a Great Calligrapher of Mount Tai (Baidu Blog-Unfinished House)
Mr. Huang Tinghui's calligraphy art originated from Mount Tai, stood on Mount Tai, became Mount Tai and was endowed with Mount Tai. Mount Tai is the mother and root of his calligraphy art, which can be described as "the mountain of calligraphy in France". From ancient times to the present, the stone inscriptions on Mount Tai are magnificent and cover the whole world, which is not only a symbol of history and culture, but also an artistic symbol of China's calligraphy history. Mr. Huang Tinghui was born, raised and achieved in Sri Lanka. Mr. Huang Lao, who is nearly eighty years old, has never left this land full of cultural charm in his life. Mount Tai gave him life, wisdom, inspiration and mission. Huang Lao talked about his own road to success, which is very realistic. He denies genius but emphasizes persistence, denies leap and pays attention to tempering. "The hard course of artistic career" is his most profound experience. Huang Lao's teacher; Yu Renben, Li Jiagan, Li and Chen Bingxun are not only masters of calligraphy and painting, but also masters of literature. In the late 1960s, Huang Lao had been engaged in education and concurrently engaged in fine arts and calligraphy. The teaching of calligraphy and painting became the foreshadowing for him to embark on the road of calligraphy and painting. Perhaps it was God's will. In the early 1980s, he was lucky enough to be transferred to Tai 'an Cultural Relics Administration to take charge of the work and manage Taishan Scenic Area. Mount Tai is a natural calligraphy classic, a vast calligraphy teaching material, a vivid calligraphy classroom and a rich calligraphy treasure house. Huang Lao said that this is the most important and crucial period in his life to learn calligraphy. The achievement of calligraphy and painting depends not on the hand but on the brain, but on the understanding and wisdom. The broad Taishan culture and profound calligraphy art made him truly realize the true meaning of "boundless art sea" and "boundless art sea". Taishan's "Biography of Li Xiaosi" tablet, thin and round, has always been regarded as a rare treasure in the book world and has a far-reaching impact on future generations. Zhang Qianbei in Han Dynasty evolved from Wei Ti, and its style is vigorous, solemn and changeable. The Diamond Sutra written by people in the Northern Qi Dynasty in Taishan Mountain Valley is known as "the originator of big characters" and "the master of books" in history. There are more than a thousand words in the inscription on Mount Ji, which is magnificent in shape, simple in font, graceful and dignified. The inscription on the "Jiedie Monument" of Gushan Temple in Taishan Mountain is cursive, unique and elegant, full of charm and perfect book environment. In addition, the Song, Yuan, Ming and Qing dynasties left thousands of inscriptions and stone carvings, including almost the masterpiece of Mo Bao, a calligrapher of all ages. The communication, communication, heart-to-heart and friendship between Mr. Huang Lao and contemporary calligraphers are indeed realistic and sincere. Shu Tong, Sha Menghai, Chu Tunan, Wang Quchang, Qi Gong, Liu Haisu, Chen Shuliang, Ouyang Zhongshi, Wu Zhongqi and other China book giants have forged deep friendship with them. At the same time, they also used their calligraphy skills for their own use and for the formation and development of Taishan Calligraphy School. 1993 Mr. Ouyang Zhongshi commented on Mr. Huang Tinghui's calligraphy and wrote in his own hand: "Anyone who can get married is willing to be good and take good care of others. Servant and Ting Hui have known each other for nearly nine years, and the feeling of getting along for the first time is still vivid. ..... See this word again three years later, and it will be a big change. I happened to meet him in a place last year, and I saw what he did, which was very different. It is true that if you are sincere, the stone will open. A thoughtful and persistent person. The servant saw the recent work and felt very emotional, so he praised it with several actions. " This is the authoritative evaluation of Mr. Huang Tinghui's calligraphy art by Mr. Ouyang Zhongshi, a calligraphy master, fourteen years ago.
Mr. Huang Tinghui's calligraphy personality is just to publicize, infiltrate and create Taishan culture. The integration and artistic interpretation of calligraphy and history, calligraphy and culture, calligraphy and nature, calligraphy and humanities, calligraphy and spiritual life. The word is Taishan bone, the ink is Taishan wind, the book is Taishan rhyme, and the poem is Taishan sentiment. Mr. Huang Tinghui's calligraphy is magnificent, simple and old-fashioned, vigorous and solemn, vigorous and powerful, and reveals a charming, chic and elegant literary temperament. Reading Huang Lao's calligraphy, stroke by stroke, stroke by stroke, is like dancing dragons and snakes and roaring tigers and lions. Throughout the taste, Mo Yun's bookish spirit hits people's hearts directly. If you listen carefully to the wind of pine and cypress, the trend of sea of clouds, the spirit of mountain gods and the soul of the sun and moon, you will vaguely feel the choppy waves and waterfalls splashing, like distant drums and loud sounds. He has a self-carved leisure chapter to say; Mount Tai gave me. These four words are from his heart and his experience. Huang Lao's calligraphy is a unique calligraphy style, which belongs to himself and Taishan calligraphy circle. His calligraphy, in particular, mostly takes Taishan poetry as the theme, eulogizes Taishan noun phrases and has a unique Taishan style.
Some people generalize that Mr. Huang Tinghui's calligraphy art has three characteristics, namely, tradition, times and individuality. Since the 1980s, he has written hundreds of plaques and inscriptions for important scenic spots at home and abroad, such as halls, exhibition halls, bookstores and painting academies. Mount Tai should be the place where he wrote the most plaques and inscriptions. His inscriptions are always appropriate, and his fonts are changeable and different, forming a harmonious unity of landscape and calligraphy. In the early 1980s, he wrote on the East Throne the tablets of "Mount Tai is the Jade Emperor's Peak" and "Diligent and Holy", which were rigorous and dignified, reflecting the royal dignity. Created from the mid-1980s to the 1990s, the Monument to the Martyrs in Luanzhou of the Revolution of 1911, the Song of Five Doctors, the Monument of Looking at Wu, and the Couplet of Bi Xia Miaoshanmen show the smooth lines of the official script in the Tang Dynasty and embody the Taoist style. The "beautiful scenery" of Mount Tai and the stone tablet of "Fan Li's Tomb" in Feicheng, "Loyal to the monarch, wise for health, comparable after a thousand years", are all engraved with Qin seal script to show simplicity and solemnity. Tiger Mountain Park has the style of Stone Valley Diamond Sutra, which is vigorous, dignified and atmospheric. Feng Yuxiang's tombstone and Taishan Revolutionary Martyrs Monument highlight Wei Bei's calligraphy style. In particular, the plaque of Dai Temple inscribed by Fang Bi is rigorous, honest and vigorous, which embodies the style of Dai Temple in Shenfu. This tablet was included in the famous monument of China. In addition, Mr. Huang Tinghui also wrote inscriptions for War of Resistance against Japanese Aggression Memorial Sculpture Park in Lugouqiao, Beijing Wangci Monument, Beijing Xishan Overview Monument, Hunan Changde Poetry Wall Monument, Guangdong Puning Hanyuan Monument, and Canadian Hong Kong and Taiwan Memorial Monument. Spread Taishan calligraphy style and calligraphy skills far and wide at home and abroad.