Xie Xuegui's Jiangsu Science and Technology News reported Xie Xuegui's calligraphy achievements.

Xie Xuegui, male, quiet, white. 196 1 was born in an artistic family in Nanjing. Now he is honorary president and visiting professor of China Calligraphy Correspondence University, director of China Calligraphers Association, distinguished calligrapher of Jiangsu Academy of Traditional Chinese Painting, honorary president of Zhong Jing Academy of Calligraphy and Painting, member of Jiangsu Calligraphy Association and executive director of China Calligraphy and Painting Research Association.

Mr. Xie Xuegui studied under Mr. Xie's books and paintings. He Du in Han Dynasty and Qing Dynasty followed the technique of returning, and truly realized knowledge, understanding and application. His calligraphy is thick and elegant, vigorous and dense, and his four bodies are fine, especially the official script. He is the representative of the new generation of calligraphers who have risen in recent years. He pursues the beauty of ancient history, grasps the charm of inscriptions on bronze, integrates the essence of Han Lizhi, and gains the breadth of the North Monument and the fluency of cursive script. He really understood the origin of official script, which can be varied but not lacking in statutes, calm and heavy, flexible and playful. This is the result of decades of research and in-depth exploration by Mr. Xie Xuegui. His calligraphy style is the inheritor of Han Li spirit.

Xie Xuegui is well versed in the cultural background of China's calligraphy, familiar with this post and blending ancient and modern, which makes Xie Xuegui's calligraphy both simple and bold in Zhang Qianbei. There is also elegance, beauty, beauty and warmth in Cao Quanbei; There is also Ode to Shimen, which is simple and free and easy. Xie Xuegui's writing is heavy and steady, and there is a dignified atmosphere of Chinese culture in his humility. He is another master of calligraphy after Xie.

Xie Xuegui's regular script has many subtle changes in correcting bone strength. Immersed for a long time, diligent in work, wide in photography, deep in thinking, and has a scale. Not Liu Fei's Yan, but also like the prosperous weather of the Tang Dynasty; Running script, like a cloud like a moon, has the connotation of statutes in change; The cursive script is modest, the ink is masculine, and the paper back is powerful. A true calligraphy artist is not for art, but for culture. His works show the natural continuation of China's cultural inheritance and development.