The same is true of the graffiti-like stone opening in Tuogu. Everyone has beauty and ugliness, everyone has hardness and softness, and everyone is busy and chaotic. Contemporary deep rebellious psychology, like to investigate its source at a high price, seems to be an inferior monument in contemporary unearthed cultural relics.
Guan, according to the records of cultural relics, has its origin. It seems that it was done by people who were almost illiterate and had no calligraphy training. The difference is that the exam is well founded. Many painters of the painting school did not follow the requirements of calligraphy brushwork, but switched to painting brushwork, smearing left and right, flying up and down. Sometimes there are miracles. They belong to the school of painting. Previously, Zheng Banqiao and other Yangzhou Eight Eccentrics and Zhang Daqian had begun to paint, which made them shine in the contemporary era, and so did Wang Yong.
It is not easy for a painter to draw without words. It is not easy for a painter to paint like this, and it is not good to paint like this. I can't help it. There are too many people poking paper, smashing pens and splashing ink in the graffiti school. . . . . .
Replacing the school of painting with characters seems to retrieve the classical pictographic meaning of modern Chinese characters.