What is the difference between regular script, facial style and European style in brush calligraphy?

1, different definitions

Yan Ti: A font created by Yan Zhenqing, a calligrapher in the Tang Dynasty. Together with Liu Gongquan, they are called "Yan Liu" and "Yan Liu Jin Gu". Yan Ti's regular script aimed at Yan Zhenqing.

European style: Ou Yangxun, the ancestor, is famous for his regular script and running script. As the largest official calligrapher in the history of calligraphy, his handwriting is called "European style", which is as famous as Yan (Zhenqing), Liu (Gongquan) and Zhao (). European style is a regular script font created by Ou Yangxun, a great calligrapher in Tang Dynasty.

2. Different characteristics

Yan style: regular script is square and dense, horizontal and vertical, with strong and round brushwork and solemn momentum.

European style: It is characterized by Fiona Fang's combination of the two styles, focusing on square, powerful stippling and coherent brushwork. It is steep and rigorous. Keep the side stable, compact and sparse.

3. Different status

Yan Style: Yan Zhenqing created a unique calligraphy realm with "Yan Style" in the history of calligraphy. Yan calligraphy is characterized by excellent spirituality, and its realm is naturally magnificent. Miao Yan, who used a loess broom to sweep the floor and learn calligraphy since childhood, stood at a lofty starting point of calligraphy almost from the beginning. After decades of hard work, it has been tempered and enriched, so that "Yan Ti" has both form and spirit. And the realm of his later years is even more superb.

European Style: Ou Yangxun started writing from primary school. He was over 70 years old when he wrote this monument. In other words, he has reached the state of being old and old, and it is impossible to write well. The Tang Dynasty inscription "Inscription on Liquan in Jiucheng Palace" describes the discovery of Liquan in Jiucheng Palace by Emperor Taizong. The brushwork is vigorous and graceful, and there is also proper limit. It is the ideological work of Ou Yangxun in his later years, and it has been highly praised by scholars.

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