The regular script in Yan Zhenqing's and Mi Zige's regular script works is the most popular book in the feudal society of China. Before the appearance of regular script, China calligraphy had produced three styles: Da Zhuan, Xiao Zhuan and Li Shu. Generally speaking, the ancient characters before Xiao Zhuan are collectively referred to as Da Zhuan, including Oracle Bone Inscriptions, bronze inscriptions and six languages except Qin in the Warring States Period. Xiao Zhuan is a popular script after Qin unified China. On the basis of Qin script, refer to other vassal scripts. In order to facilitate writing, it is standardized and unified. This is the first standardized regular script in the history of calligraphy in China. Official script is another representative character after Xiao seal, which is based on Xiao seal. The appearance of official script is a great revolution of Chinese characters. Its significance lies not only in the symbolization of Chinese characters, but more importantly, it has changed the writing style and aesthetic trend of Chinese characters, thus laying a foundation for the emergence of regular script calligraphy art and further opening up a broad world for the development and prosperity of China calligraphy art.
The appreciation of Yan Zhenqing's regular script copybook works directly gave birth to the regular script calligraphy art in various official script gardens in the Han Dynasty. According to its law, the development history of regular script in China can be divided into four periods: the embryonic period of regular script? Han dynasty, the development period of regular script? The prosperity of regular script in Wei, Jin, Southern and Northern Dynasties? When were regular script kept in Sui, Tang and Five Dynasties? Song, Yuan, Ming and Qing Dynasties.
Yan Zhenqing's Calligraphy Notes Song Cao, a calligrapher in Qing Dynasty (about calligraphy? On regular script:? To build a model, it is necessary to clarify the internal framework of words and shape them, which will be natural and harmonious. However, the size, complexity, length, width and narrowness should not be as straight as the operator, but it can make maximum use of its ontology, not limited to strokes, and curb its interest. It's natural to make the pen work hard, with different words and lines. This is the law. You have to escape and make it disperse; It must also be embedded in the middle and the tendon is not exposed. Nothing hangs down, nothing goes far, it is a hidden front, which makes people think outside the words. If it is block letters, the structure is expensive and dense, otherwise the otter is rambling and dull, and if it is too dense, it will be vulgar. Writing small characters is easy to be cramped, and it is open and has a large font segment. People who are prone to cramps are suffering from a bitter pen and tight hands, and their wrists are ineffective, pulling left and right; Hang the pen in the virtual palm and turn it to live. If you want to be behind a pen, you have to touch your ears, which is not a book.
In short, if you are familiar with it, you will naturally be born. There was a Tang dynasty who took people by calligraphy, so it was very strict and very European and American. Ou and Yan are suitable for rescuing temples. If it's normal, he doesn't need to take it when Fa Hammer, Wang, (Oriental Painting Praise), Lun, Bei, (Luo Shen Fu) and "The Preface to Breaking Evil" are the rules. ?