? As I said in other articles, when we see a very rare and exquisite work, we might as well choose the full text first. It's not called copying, it's just preparation, which is equivalent to watching it once and enjoying it. Then in this case, we will have a general grasp and all-round perception of the pulse of the full text. Then I began to write slowly. At the beginning, you can see that some of them are not very well written. As time goes on, it's getting better as the next few pages. When writing, it is relatively like knowing a friend, only knowing what clothes he wears, and only knowing what clothes he likes and what cosmetics he uses after meeting several times. What's the way you walk? Your voice and appearance are different. So many copies have become good friends and acquaintances after several times. At this time, you can grasp its charm and charm as a whole, fully grasp it when writing, and gradually learn a lot when creating your own works. In this case, it has reached a state of temporary learning and creation.
? This is the best method that the ancients taught us, and we don't need to engage in any innovative art now. Of course, be careful when you write, and don't let form be more important than content. I think the most useless form is flashy, very exaggerated and meaningless. For example, when we write, we deliberately use a red pen, but I remind you that cinnabar is actually used for writing. Generally speaking, as the old saying goes, unless you are a Taoist, you should bring yourself into trouble. Writing letters with red ballpoint pens seems to be a western tradition, which means provoking a duel, which is not good, so we should also pay attention to these taboos ourselves.
? For example, Wang Duo, a famous calligrapher in Qing Dynasty, was writing the works of Wang Xizhi in Wei and Jin Dynasties. Basically, there are mourning, pain, death and sadness. None of these negative words exist, and then the others rub together to form their own unique style. Of course, I think it's a little too much. I remember a calligrapher said some time ago that when you write the epitaph of the Six Dynasties, you should write something else, because it is full of yin. Of course, in this respect, this is a unique tradition in China. Too much emphasis is not good, and it is of little significance. However, if you insist on this, he will certainly have some overall grasp of his whole spiritual expression, and even have an impact.
? So pay attention to these aspects when writing. Of course, paying too much attention to these aspects is superstition. Personally, I think it is not desirable. Because one letter after another, of course, we must read it directly, so as to grasp the overall state of fatigue. Of course, it depends on the individual's situation. Here is a reference for everyone. Of course, whether the method can go by itself or not, I think it is better to keep the overall situation. It says that Yan Zhenqing writes more, Liu Gongquan writes more, Zhao Mengfu writes more and Ou Yangxun writes more, which is of course good. People are different, the choice is their own.
? All right, that's it. Thank you for your attention.