Liang is good at calligraphy. Wu Xiu, a Qing Dynasty man, called it "a poem" in Zhao Ji Yu Zhuan. Li mentioned Liang's calligraphy in A Brief Introduction to the State Dynasty: "Liu Chenggong (Liu Gongquan) was the first to learn public calligraphy, followed by Zhao () and Yan (Zhenqing) and Li (Beihai)." Later generations spoke highly of Liang's calligraphy. Mr. Wang mentioned "Er Liang" many times (Liang and his son Liang), and his calligraphy was also influenced by Liang.
Liang also has an interesting story: he ordered to be a bookboy. Wang Chang, a Qing Dynasty man, commented on Liang's calligraphy in the Collection of Spring Rongtang: "As the saying goes, it is appropriate for the son of heaven to write big characters for the inscription in the upper study, and the ministers stand upright and wait for it. The son of heaven ordered the book to be printed on the sleeve, and he also ordered it to be dragged."
So he wrote the best running script in the Qing Dynasty, and Qigong's calligraphy was also learned from him! This person is called Liang, Yongzheng 17 flower exploration. Because of his good handwriting, Gan Long became his royal calligrapher after he succeeded to the throne. Emperor Qianlong likes famous posts and paintings, and he likes to inscribe the first part of these treasures and then roll the last part.