It is a stone inscription before the Soviet Union, named after its stone carving looks like a drum. Its font inherits the inscriptions on bronze in the Western Zhou Dynasty, and the next one is a transitional font that evolved from Da Zhuan to Xiao Zhuan, which has not yet been finalized. It is useful in the history of calligraphy. Shi Guwen was regarded as an important model of studying seal script by calligraphers of past dynasties, so he was known as the "calligrapher's first rule". For example, Yang Yisun and Wu Changshuo, famous seal writers in Qing Dynasty, were mainly formed by Shi Guwen.
2. Wei Bei calligraphy model of Zhang Menglong Monument.
Zhang Menglong's monument was erected in the third year of Zheng Guang in the Northern Wei Dynasty. The inscription mainly praises the merits of Zhang Menglong, the prefect of luna, and is a formal calligraphy work. It is now in the exhibition hall of Han and Wei Dynasties in Qufu, Shandong Province. The artistic style of calligraphy of this monument is both dangerous, stable and graceful: it is both strange and ingenious, simple and elegant, and natural and smooth, and it is one of the most famous works in the Northern Wei Dynasty. It is the representative of exquisite and elegant style.
3. Cao Quanbei is a model of Kang Shu's writings in Han Dynasty.
Cao Quanbei, written by Wang Chang and others in the Eastern Han Dynasty, praised Cao Quanji's virtue. Regular script is an official script, which is one of the representative works of official script in the late Eastern Han Dynasty. It is an important historical material for studying the peasant uprising at the end of the Eastern Han Dynasty, and it is also one of the few works with relatively complete preservation and clear fonts in the existing stone tablets of the Han Dynasty in China. It is the representative of Chinese American style in Han Li, and is now kept in Xi 'an Beilin Museum.
4. Jiuchenggong Quanming is a masterpiece of calligraphy in the Tang Dynasty. The first book in the world, Jiuchenggong Jiangquanming, is a calligraphy work written by Wei Zhi and calligrapher Ou Yangxun Shudan. It is a masterpiece of Ou Yangxun in his later years, and it has been highly praised by scholars. It is regarded as an authentic regular script and praised by later generations as "the first regular script in the world" or the first official book in the world. This regular script is about 1200 words, which describes the origin of "Jiucheng Palace" and the grandeur of its architecture, and praises the martial arts and frugality of Emperor Taizong. It is now collected in Beiting Scenic Area, linyou county, Baoji City.
5. "He Weiming" is the ancestor of typical Chinese characters in the Southern Dynasties.
He Ming is a regular script work by Tao Jing in the Southern Dynasties. It was originally carved on the cliff at the foot of Jiao Shan in Zhenjiang. After the landslide fell into the river, it was salvaged, leaving only five residual stones. It is now displayed in the forest of steles in Jiao Shan, Zhenjiang, Jiangsu Province, the treasure of the town hall of Zhenjiang Jiao Shan Inscription Museum, and it is also a key cultural relic of the national cultural relics protection unit. This inscription, with bold and elegant font and fantastic brushwork, is a regular script, but it is also slightly interested in official script and running script. His calligraphy art has a great influence on later generations, and it has been one of the models of filing since Sui and Tang Dynasties, and has been praised as the "ancestor of big characters" by calligraphers in past dynasties.
6. The inscription of Wei on the "Zheng Wengong Monument" is also rare.
Zheng Wengong Monument was written in Yongping for four years, and was handed down by Zheng Daozhao, a calligrapher of the Northern Wei Dynasty, with cliff stone carvings and regular script calligraphy works. It is divided into two parts: the upper monument and the lower monument, and describes the life story of Zheng Daozhao's father. The greatest charm of this inscription lies in the integration of seal cutting, official seal and grass carving, the structure tends to be flat, the strokes turn more and more, and the pen tip breaks.
7. Taishan stone carving is a typical representative of Xiao Zhuan in Qin Dynasty (one of the stone carvings of Si Yue in Qin Dynasty).
Taishan Stone Carving, also known as Fengtai Mountain Monument, is Meng Xiao's calligraphy work, which is said to be written by Lisi in calligraphy. Together with Fengshan Stone Carving, Langshan Stone Carving and Huiji Stone Carving, it is also called "Qin Sishan Stone Carving". The original stone carving is ***222 words, with inscriptions on all sides, three of which praise Qin Shihuang's achievements in the great cause of reunification, and the other is Qin Ershi's letter. In calligraphy, his brushstrokes are face to face and back to face. The brush strokes are calm and impartial, and the thickness is consistent. This is a classic of Meng Xiao in Qin Dynasty. [Detail >>]
8. Wei Bei's calligraphy masterpiece "Longmen Twenty Products"
Twenty products of Longmen refers to the inscriptions of twenty statues selected from Longmen Grottoes in the Middle and Northern Wei Dynasty, including the famous stone statues and the statues of Sun Qiusheng. The heroes in these statues are mostly nobles, senior officials and Taoist priests in the Northern Wei Dynasty. They sang praises for Emperor Xiaowen, or opened a Buddhist shrine to pray for disaster relief. In calligraphy, its font is dignified, generous, vigorous and simple, which is not only the style of official script, but also the unique style of regular script. It is the essence of northern Wei calligraphy art and the representative of Weibei style.
9. The Three Monuments to the Confucius Temple is a model of inscriptions on Kang books in the Han Dynasty.
The three monuments of Confucius Temple are three stone carvings in Confucius Temple, namely Ying Monument, Li Monument and Monument. They are important representative works of official script in Han dynasty, typical works of official script in Han dynasty, and also classic models for later generations to learn to write and imitate official script. Among them, Li Bei mainly describes the story of Lu's rescue from Kong Shuyan and his wife's opening a city. "Yi Ying" describes the history of Lu Shangshang setting up a hundred stone pawns for the Confucius Temple to take charge of the ritual ceremony of the Rites Department. "Shi Chenbei" describes the scene of offering sacrifices to Confucius in the Lu Dynasty.
10, "Cui Jingyang Mu Zhi" The Northern Wei classic is engraved with the Goushu tablet with the crown of the Six Dynasties stone carving.
"Cui Epitaph" is a classic inscription in the northern Wei Dynasty, and it is a masterpiece among many calligraphy inscriptions in the northern Wei Dynasty. The style of the inscription is simple and elegant, giving people a feeling of roundness and elegance, and sometimes it is boring. It was praised by later generations as "the crown of the Six Dynasties". This monument was unearthed in Anping in the eighteenth year of Kangxi, but it was soon destroyed. At present, the original stone rubbings handed down from ancient times are collected by Duan Fang, Liu Ying, Tao, Fei Nianci.