Introduction to the work
The author of "Posting a Question to the North Pavilion of Ganlu Temple" is Du Mu, and it was selected into the 523rd volume of "Complete Poems of the Tang Dynasty".
The threshold is the most merciful.
Aloof and high, I can’t play Huan Yi’s flute, but I can’t hear Zi Jin Sheng if I am misty.
The sky meets Haimen with the color of autumn water, and the smoke cage echoes with the sound of dusk bells in Sui Garden.
He went to the annual meeting wearing lotus clothes and did not say his name to the mountain monk.
Notes
①Ganlu Temple: According to legend, it was built during the Wu Ganlu period of the Three Kingdoms. The temple was destroyed during the Qianfu period of the late Tang Dynasty and moved to Beigu Mountain in Zhenjiang, Jiangsu Province today.
② Xiang: Comprehensive poem review: "One work above".
③Penglai Palace: The palace in Penglai Fairy Mountain. Here it refers to Ganlu Temple.
④Piaomiao: high and distant appearance. Zijin: Prince Jin, the crown prince of Zhou Ling, and the first prince is Prince Qiao. "I like to play the sheng to make the phoenix sing. When I travel among Yiluo, Taoist Fuqiu Gong takes me up to Mount Songgao." The matter can be found in the volume of "Biography of Immortals".
⑤Sui Garden: Shanglin Garden, also known as Xiyuan, was built during the reign of Emperor Yang of the Sui Dynasty. Its original site is in the northwest of today's Yangzhou City, Jiangsu Province.
⑥Lotus clothes: Clothes made of lotus leaves. This refers to the clothes worn by hermits.
⑦ said: The whole poem school: "One is the Tao".
Introduction to the author
Du Mu (AD 803-about 852), courtesy name Muzhi, also known as Fanchuan Jushi, Han nationality, was born in Jingzhao Wannian (now Xi'an, Shaanxi), and was a poet of the Tang Dynasty . Du Mu was called "Xiao Du" to distinguish him from Du Fu. Together with Li Shangyin, he is known as "Little Li Du". Because he lived in Fanchuan Villa in South Chang'an in his later years, he was called "Du Fanchuan" by later generations and wrote "Collected Works of Fanchuan".
Du Mu’s representative works include "Jiangnan Spring", "Moving at the Qinhuai River", "Passing the Huaqing Palace", etc. Du Mu was good at poetry, and his "Afang Palace Fu" was passed down to future generations. He wrote many military papers and also commented on "Sun Tzu". There are twenty volumes of "Collected Works of Fan Chuan" handed down to the world, compiled by his nephew Pei Yanhan, including four volumes of poems. There are also one volume each of "Fan Chuan Wai Ji" and "Fan Chuan Bie Ji" supplemented by the Song Dynasty. "Complete Poems of the Tang Dynasty" contains eight volumes of Du Mu's poems. There are many poems in the late Tang Dynasty that are soft and gentle, but some of them are sharp and sharp. Among his seven unique features, he has the far-reaching spirit of Yiyun, which was left alone by all the masters of the late Tang Dynasty. Mu Zhi is ambitious, good at talking and fighting, and prides himself on his ability to help the world. ICBC, cursive script. "Xuanhe Shupu" says: "Mu's works are rows and grasses, and his style is vigorous and vigorous, which is consistent with his articles." Dong Qichang's "Rongtai Collection" said: "I see Yan and Liu behind, like Wen Feiqing and (Du) Mu's He is also a famous scholar, and his books are said to have the charm of the Six Dynasties. Among the handed down ink writings is "Zhang Haohao's Poems". He has many works, mainly including "Collected Works of Fan Chuan", Volume 147 of "Old Book of Tang", and Volume 166 of "New Book of Tang". "Zhang Haohao's Poems", written in cursive and ink, was written when he was 32 years old in the eighth year of Taihe (834). The post is a hemp paper, 28.2 cm long and 162 cm wide, with 46 lines and a total of 322 words. It can be seen from the entire poem that his calligraphy has the charm of the people of the Six Dynasties. The original work is now in the Palace Museum. This calligraphy work has continuous momentum and smooth ink. Because it is a poem, it has a simple and unpretentious beauty. At the beginning and end of the volume, there are inscriptions, inscriptions and seals of people from the Song, Yuan, Ming and Qing Dynasties. It was collected by Zhihe Branch of Song Dynasty, Jia Sidao of Ming Dynasty, Xiang Zijing of Ming Dynasty, Zhang Xiaosi of Qing Dynasty, Qing Biao of Qing Dynasty, Qianlong, Jiaqing, Xuantong Imperial Households and Zhang Boju. It has been recorded in "Xuanhe Shupu", "Rongtai Collection", "Life Spectacular", "Daguanlu", etc. Du Mu is famous for his poetry, so the title of his book is concealed by the title of his poem. This book is engraved into "Qiubitang Dharma Notes". There are photocopies in Enguangshi and Japan's "Showa Dharma Collection".
Traditional Chinese
Volume 523_97 is addressed to Du Mu, the North Pavilion of Ganlu Temple.
I once went to Penglai Palace, and the North Pavilion was the most merciful.
Aloof and high, I can’t play Huan Yi’s flute, but I can’t listen to Zi Jin Sheng if I am misty.
The sky meets the autumn water of Haimen, and the smoke and phoenix spin the rainbow.