Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and research on ancient books collation.
He had a great influence on the development of China's social ideology and culture after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the fields of Korean and Japanese ideology and culture. He is known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century".
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Lu Xun is not only a great writer and thinker, but also an excellent calligrapher. Because of his great achievements in thought and literature, people often ignore his achievements in calligraphy. Guo Moruo once said that his calligraphy "far surpassed the Song and Tang Dynasties and climbed straight to the Wei and Jin Dynasties." Lu Xun's calligraphy is mostly running script.
Looking at its style characteristics, Yan Zhenqing's "Competing for Seats" was published, which combined the meaning of seal script and Cao Zhang, and the calligraphy of Song people in Ming and Qing Dynasties and Hanzha method, forming an artistic style of simplicity, softness outside and rigidity inside, elegance, elegance and convenience.
A large-scale calligraphy work, which pays attention to discipline, steady structure, dignified and simple brushwork, important details, slow and broad charm, and straight into Wei and Jin Dynasties, shows its profound artistic accomplishment in calligraphy. Small letters and small drafts are handy and familiar with each other. Due to the variation of the times, they are often naive and interesting, which shows the richness of their early calligraphy.