What kind of literature does Jin Zijing Bian Mei belong to?

Bian Mei in Jin Zijing belongs to Qupai.

Qupai is the general name of traditional lyrics and tunes used in music creation. Commonly known as "brand". The creation of ancient lyrics and songs used to be "choosing words and music". Later, beautiful tunes were gradually selected and preserved, and new words were filled in according to the rules of original words and tunes. Most of these preserved songs still use the names of the original songs. Traditional operas formed before the Ming Dynasty, such as Kunshan Opera and Yiyang Opera, and operas developed from popular songs in the Ming and Qing Dynasties, mostly take Qupai as the singing unit, which is generally called "Qupai-style" singing.

Lu Nan Jin Zijing Bian Mei

Zhen Wu

Snow-cold pine roadside, moon-cold lake village, ethereal pear blossoms in the dream cloud.

Patrol, small eaves incense tree spring. Jiang Meixin and Cui Qin (1) shed tears at people.

Note ① Kingfisher: Kingfisher, a kind of waterfowl. Because the feathers on the back and face are blue and shiny, they are called kingfishers.

Lu Nan contains the following common tunes in classical poetry. Nanlv Palace, a musical term of China ancient opera, is one of the palace tunes. Nanlu Palace lamented the sadness. The second stack of Yuan Zaju is mostly a divertimento of Lv Xian Palace. The epigrams belonging to Lu Nan Palace mainly include "Dry Lotus Leaf" and "Jiangnan Willow"; Nanlv Palace Qupai mainly includes "One Flower", "Jin Zijing", "Four Jade Pieces" and "Plum Falling Style". The ancients believed that each Gongdiao had its own style, such as "Lv Xian Palace is fresh and graceful, Lu Nan Palace is sad and sad, Lv Zhong Palace is rich and touching, Gong Zheng is melancholy and magnificent, Taoist Palace is elegant and quiet ..." (Zhou Deqing's Rhyme of the Central Plains).

Zhenwu (1280-1354), born in Jiaxing, Zhejiang Province, was a Taoist priest of plum blossoms. Famous painter, calligrapher and poet in Yuan Dynasty.

He is good at painting landscapes, plum blossoms and bamboo stones, and is also called "Yuan Sijia" with Huang, Ni Zan and Wang Meng.

In his early years, he taught in a rural school, studied under Liu Tianji's The Study of Heaven and Man, and lived in seclusion by selling divination. Landscape teachers Fa Dongyuan and Ju Ran, as well as Ma Yuan and Xia Gui, used wet pens and dry pens, especially wet moss. Pen and ink are like a sea of smoke, dripping water. I like being a fisherman, and I am interested in clearing the wilderness. The same is true of Zhu Mo Wenzong, whose style is simple and energetic. Exquisite calligraphy, works and poems.

His works include Fisherman's Father's Picture, Double Trees Picture, Dongting Fishing Hidden Picture, Luhua Cold Goose Picture, etc.

Wu's poems and books are mostly about fishermen, ancient trees and bamboo stones, and he is good at painting landscapes and plum blossoms. Cursive calligraphy is Gong Guang, a landscape teacher, Dong Yuan. It is huge and unique. It is dominated by vigorous brushwork, supplemented by vigorous brushwork, and has a boundless and gloomy atmosphere. He wrote bamboo well, studied under Li Li, and wrote ink bamboo in his later years. Mozi Zongwentong is another big family after Wentong. Good use of ink, dripping picturesque, is the crown of Yuan people. Part-time ink flower, but also photo. Cover the painting with bamboo, and cover the town with bamboo. Although his paintings can't be taken away, he can only throw them away with good paper and pen, and he can be happy as he pleases. The style of poetry is simple and exciting, with sincere feelings. It often uses comparison to express its feelings, which is close to Tao Qian's poetic style, with dull appearance and depressed heart. Calligraphy can combine the strengths of Wang Xizhi and Huai Su. Each painting is often inscribed with a poem, or a line or a grass, dripping with ink, and poetry, books and paintings set each other off into interest, which is called "three musts". His painting style has a great influence on the development of landscape painting in Ming and Qing Dynasties. He is as famous as Wang Meng, Huang and Ni Zan, and is called.