Why was the thin golden body unique in the book world at that time?

When it comes to Song Huizong and Evonne, we all seem to think of him? Thin and golden? , what did he write? Thin and golden? Unique, self-contained, since its birth, has been a unique calligraphy circle, no one can surpass it, and future generations have been imitating it. Although Song Huizong and Evonne made little achievements in politics, his calligraphy has always been admired by later generations, and he is an excellent calligrapher. Not only that, but also his painting skills are quite profound. He is really the emperor who was delayed by calligraphy and painting. Thin and golden? Although unique, it is extremely difficult to learn. Without a solid foundation in calligraphy, we dare not touch it easily. We are used to thinking. When we mention Song Huizong and Zhao Ji, we think of him? Thin and golden? Actually, it's not. I never thought that his "Wild Grass" was even more amazing, and the pen was as long as a snake, subverting your aesthetics.

Song Huizong and Evonne's contribution to the history of China's calligraphy is unparalleled. Thin and golden? It has refreshed people's inherent understanding of regular script. Thin and golden? With the special form of regular script, it is well known and recognized by people. It is also a brand-new regular script face. It is based on this understanding that many people have the impression that Song Huizong Evonne is a writer who can only write? Thin and golden? The emperor, in fact, is not. His wild grass is more refined, and his calligraphy level is not lost to any calligrapher, even better than? Two kings? More exquisite, that is, his? Thin and golden? The reason is that many people ignore his cursive script, especially Weeds. ? Judging from his wild grass works, it simply gives people a sense of flurry. Whether writing or writing, they have a sense of unpredictability. On the whole, the momentum is unrestrained and smooth, which is spectacular. Its level is not lost to Zhang Xu and Huai Su. The lines are intertwined and look forward to each other. The relationship between the beginning and the end is very close, and there are also ups and downs. So he's right.

The line thickness changes obviously and is elastic. Although there is also Yukime's brushwork, but the self-characteristics are still very prominent, and the linear visual experience is very good. Many friends couldn't believe their eyes when they saw Song Huizong Evonne's cursive script. They always thought he was only good at this? Thin and golden? I didn't expect his Wild Grass to be so amazing and convincing!