This sentence comes from Su Shi's On Books: At the beginning of the book, I inadvertently said that Yoga Yu is a good girl. Although cursive script is the product of learning, it is out of haste. The ancients said that it is not as good as walking grass, which is incorrect. If you are in a hurry, you are usually interested in learning, which is extremely harmful. As for Zhou, there is no blame. Although my book is not very good, if it is innovative, it is also quick success if I don't practice the ancients.
At the beginning of calligraphy, don't deliberately pursue perfection, relax and be spontaneous, and you will naturally achieve perfection. Although cursive learning is accumulation, its main point is to write quickly. The ancients said that time rushed to write cursive script, which is wrong.
If you are too late to write cursive script, it is not surprising that this wrong view has been affecting Zhou Yue and others. Although my calligraphy is not very good, it is my greatest happiness to be brave in innovation and not stick to the ancients.
Extended data:
Lun Shu consists of three parts: Lun Shu, Lun Gu and Zi Lun Shu.
The essay Lun Shu lists the essential elements of calligraphy art, such as "spirit, qi, bone, flesh and blood". If "five are short of one", it is "not a book".
The author believes that "calligraphy is prepared in books and overflows in cursive script", and books are the foundation and cursive script is sublimation. "You can write in cursive, but you still don't understand Zhuang language, but needless to say, there is no way", which reveals the inevitable law of learning books from orthographic to cursive.
There is even more "ugly people are ugly, and the state of gentlemen and villains cannot be hidden; There is a metaphor for argument, but the spirit of a gentleman and the heart of a villain cannot be deceived. He put forward some unique viewpoints, such as "books have two shortcomings, and the hearts of gentlemen and villains should not be confused".
Another example is "what is expensive in the world will be expensive." Real books are difficult to fly, cursive scripts are difficult to correct, big characters are difficult to be dense and seamless, and small characters are difficult to be generous and redundant. "It is really unique to analyze the difficulty of true, thick, big and small books.
On the cloud of "using a pen" in calligraphy: "There is no definite way to use a pen, but it should be empty and wide. Ouyang Wenzhong is a redundant person. When he writes, he makes his fingers move and his wrist doesn't know it. This is the most wonderful language. Only when I start writing can I knock on the edge, as steady as a rope. This is called a straight pen. " It reveals the dialectical relationship between statutory and illegal, virtual and real, and is a great innovation of ancient and modern writing theory.
References:
Baidu encyclopedia-on books