Whether the writing font is good or not depends on the collocation of strokes. It is not appropriate to draw sideways and obliquely upwards, but to draw obliquely downwards. The structure of Chinese characters has certain rules, and the length, height and position of strokes have certain relations. If you screw up, it will be ugly if you write it. Therefore, in order to train hard-pen calligraphy systematically, we must start with the structure of Chinese characters and make breakthroughs one by one in order to master the rules of calligraphy. The structural points of hard pen calligraphy are: the upper point is centered, the point is vertical, the upper and lower vertical lines are aligned, the horizontal spacing is even, the vertical spacing is even, the upper part is dense and the lower part is loose, the upper left is right, the left is long, and it rotates around the center of gravity. The main pen should be big, the middle palace should be compact, there is only one main pen, the periphery is not closed, and the level is not uniform.
The hierarchy is not uniform, which is an overview of the structure of the whole word. It is suitable for complex left, middle and right structures, and can also be extended to complex structures such as up, middle and down. Different levels are mainly manifested in the different combination parts of each word, and the size and density are different. It can also be called uneven levels, but this kind of unevenness is not pure confusion, but unity of opposites. Although some structural strokes are written obliquely, once the whole word is formed, it is positive. This is called the harmonious beauty of Chinese characters.