Failure is the mother of success. This sentence is only half right. Success is the mother of success. Continued failure will make you lose confidence in your career, and success is an endless motivation for people who are engaged in calligraphy.
Copying is not repetition, but germination. Wang Xizhi himself can't repeat the Preface to Lanting Collection, let alone modern people. You are different today from you yesterday.
Calligraphy is not constantly written, nor is seal cutting constantly carved. Ideas are important, and friends are important.
More communication is particularly important for Guangxi calligraphy. Liuzhou should go out and come in.
Chen Zhenlian is an outstanding calligraphy educator who has made great contributions to the construction of calligraphy discipline. China's history of calligraphy education cannot be written without him.
Zhang Yuxiang's seal cutting is also very harmful, but at the beginning of teaching in Xiliuying, we separated our work. He focuses on calligraphy and I focus on seal cutting. But when he was teaching, he also studied seal cutting, and I also studied calligraphy.
Artists should be kind to their works, calligraphers should have the consciousness of treating calligraphy works as art, and works of art should have certain value. Giving away one's own works at will is not only irresponsible to oneself, but also irresponsible to other people engaged in calligraphy art. It is not terrible for calligraphers to have a price without a market, and it is a bit sad to have a price without a market.
There is a popular saying in today's book circles: Bai Di, Xi Zhang Duyuxiang, Chen Zhongkang, a beggar in the north, and Xu Hai, a Chinese prodigy.
Xi Liuying and Pan Yi have the best sense of knife, and Wang Haihui has the best sense of book. Huang Wenbin came from behind.
The most important thing in calligraphy is lines. After the Song Dynasty, the best three lines were Dong Qichang, Bada and Hongyi.
Learning calligraphy should also have strategic awareness, and goals should be set for ten or twenty years.
Teacher Chen Guobin said that he taught calligraphy, never taught techniques, but taught how to read.
The original experience is a kind of resistance to the acquisition of new knowledge, but once it is broken, this experience will become precipitation.
Don't look at posts, prints and rubbings from the perspectives of literature, philosophy and archaeology. That is a theoretical way of reading, another realm. Modern way, but reading in an image way.
Academic reading has its significance, and it is not the way I advocate to seek printing from literary literacy. But image reading is the most important way for me to understand Zhao's request for printing outside the press.
The seal should be matched, the style is not important, and it doesn't matter which method is adopted.
Seal cutting mostly uses images (calligraphy, painting, etc.) to allocate resources. ), not a narrative, but more a depiction of meaningful and meaningful lines.
Serving the public is the orientation of the government, and artists are only responsible for their artistic conscience and intellectuals.
Treat people who are different from arrogant views, be generous, don't be a dissatisfied wife, and don't be a man-hater.