Preface to the Sermon of Yanta is his 58-year-old work.
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In the view of governing morality, the full name of Meng Fuzi tablet is Yu Fuzi tablet. Inscriptions of official books in Tang Dynasty. Chu Suiliang's book, which was engraved in the 12th year of Zhenguan (638), has been lost, and only the rubbings of the Tang Dynasty collected in Calvin in the Qing Dynasty have been handed down from generation to generation. Book * * * 20 sides, four lines on each side, full of nine words, all 769 words. Chu Suiliang was forty-seven years old when he wrote The Monument to Meng's Family, which was his mid-term work. The brushstroke is changeable, ups and downs, and changes a lot. The structure is dense, so be careful. The composition is meticulous and the momentum is flowing. Calvin commented: "The beauty of autumn is as dangerous as that of Europe. However, it was transported to the legal heritage. After six generations, it was close to the two kings in ancient times, and it was almost a masterpiece in the early years. " Chu Suiliang had a great influence on the new style of regular script in Tang Dynasty. Li Simiao in the Tang Dynasty said in the Book of Afternoon: "Chu wrote about the right army, but he was also too tall. Colorful sculptures are very popular today. But I hate nature and I am diligent. " This passage reflects the popularity and shortcomings of Chu Shu at that time. There are Civilization Bookstore, Zhengshu Bookstore to photocopy Calvin's books, and Linchuan Lee's printed books.
However, the stone tablet has been lost for a long time. The Orphan of Song Tuo has 20 pages, four lines per page and 770 words. The text is incomplete, and there are more than 100 words in the full text. It is collected by Calvin, an orphan of Qing Dynasty, and is one of Linchuan Four Treasures of the Study. Then it flows into Japan.
The calligraphy of Master Meng's tablet has absorbed new vigor and vitality, while Yu Shinan's elegance, tolerance and harmony, melting Europe and danger, have merged into his own temperament and created new ideas.
This tablet has changed the vertical and horizontal characteristics of Ou Yu characters, focusing on models. Han Li's intention of collecting waves and the elegant state of Sui stele are all branded by the author's spirit of qi and blood.
Meng Bei was written by Chu at the age of 47. Although it has not yet formed a typical style, its slender bones, rich muscles, elegant charm and characteristics have been fully revealed in this monument in the future.
The preface to the holy teachings of Yanta, also known as the preface to the holy teachings of Gyangji. Yonghui was established in 653. There is one stone for every two under the Big Wild Goose Pagoda in Jionji, Xi, Shaanxi. The full name is Preface to Tang Sanzang, written by Li Shimin of Emperor Taizong and written by Chu Suiliang, 2 1 line, 42 words. After The Story of the Stone, the full name is The Story of Sanzang in Tang Gaozong, written by Tang Gaozong Li Zhi and Chu Suiliang, with 20 lines and 40 words. Both stones are regular script, carved by Wan Wenshao. Now it has been selected as the original stone rubbings. This monument was written when Chu was 58 years old. Preface to Wild Goose Pagoda is the most representative work of Chu Suiliang's regular script style, with beautiful and vigorous fonts and skillful and mature brushwork. Chu Suiliang was old when he wrote this monument, and so far he has created a set of norms for the new Tang Kai. In the word structure, it changed the long characters of Europe and Yu, and created a slim but full font. In the pen, Fiona Fang uses it together, and the reverse is the opposite; Horizontal painting is vertical, vertical painting is horizontal, there are ups and downs between the head and tail, and there are certain rules in lifting and returning. Zhang Tang Huai Jin's evaluation of this book is: "The beauty Chanjuan seems to be no less than Luo Qi, and the protagonist is very graceful." Qin also commented: "Chu and Deng are a good book, which looks like Luo Qi and looks like copper and iron. This monument is particularly graceful and elegant, and the waves are like gossamer. Wan Wenshao (sculptor) can spread out the details of the turning point one by one. The essence of Moeller is the crown of all the monuments in the Tang Dynasty. " Wang Zhuo once commented: "... The preface of the two holy religions, Tongzhou and Yanta, is his own law, and the Lanting book handed down from generation to generation is even different from the rate. Gai also has his own loom. " The word "rule" is missing from the "record" of this monument in order to avoid the emperor.