Bronzes cast by Mao Gong in the late Western Zhou Dynasty were unearthed in Qishan, Shaanxi Province (now Qishan County, Baoji City) in the Daoguang period in the late Qing Dynasty and collected in the National Palace Museum in Taipei. The inscription of Mao Dinggong is 497 words long, which records Mao Gong's suggestions and suggestions to Zhou Xuanwang.
Known as "a history book", his calligraphy is a mature style of bronze inscriptions in the Western Zhou Dynasty, which is fantastic, lively, vigorous, round and vigorous and has a long structure. It is an important historical material for studying the political history of the late Western Zhou Dynasty.
2. Discrete disk
It is named after the inscription "Shi San". Some people think that the maker is a trap, also known as a trap. Qianlong was unearthed in Fengxiang, Shaanxi Province in the early years. 1935 "Shi San Pan" was handed over to the Palace Museum in Beiping together with other cultural relics of the Qing Dynasty. During the Anti-Japanese War, it moved south and is now in the National Palace Museum in Taipei.
Shisanpan, with its quaint inscription structure, rounded and concise lines and scrawled and flat handwriting, looks quaint and vivid, opening the end of "grass seal". Because the sideways trend leads to a lower center of gravity, it is relatively simple and thick. It has a strong sense of "casting" and shows a strong "golden taste", so it occupies an important position in the system of stele study.
3. Polygonum cuspidatum whiteboard
The water containers in Shang and Zhou Dynasties were unearthed in Baoji in the late Qing Dynasty, and now they are collected in China National Museum, which is the treasure of the town hall. Polygonum cuspidatum white plate is regarded as a masterpiece in the bronze inscription of the Western Zhou Dynasty. Its bronze inscriptions are obviously different from other inscriptions in the Western Zhou Dynasty in arrangement and font processing, but they have a certain similar pattern with Wu Chuwen in the Warring States Period in the late Eastern Zhou Dynasty. For example, it pays great attention to the uniqueness of each word.
The lines pay attention to the feeling of graceful and smooth, and the glyphs pay attention to the pursuit of density and avoidance. Some money bars are deliberately elongated, resulting in a turbulent spatial effect. The exquisiteness and delicacy of the modeling also surprised everyone with such a beautiful and elegant style in the bronze inscriptions of the Western Zhou Dynasty.
4. Shi Guwen
The figures in Qin stone carvings are named after their drums. Found in the early Tang Dynasty, there are ten * * * pieces, about two feet high and three feet in diameter, each engraved with a four-character poem of Dazhuan, with ten * * * pieces, accounting for 718 words. Shi Guwen is a master of seal script and the pioneer of Xiao seal script, which occupies an important position in the history of calligraphy. It is a transitional font that evolved from Da Zhuan to Xiao Zhuan, and has not yet been finalized.
Shi Guwen was regarded as an important model of learning seal script by calligraphers in past dynasties, and was praised as "the first rule of calligraphers". Shi Guwen's influence on calligraphy reached its peak in the Qing Dynasty, such as the famous seal writers Yang Yisun and Wu Changshuo, who formed their own style mainly thanks to Shi Guwen. The most famous rubbings circulated in Shi Guwen are Pioneer, Zhongquan, Hou Li and other Northern Song rubbings, and these rubbings are now in Japan.
5, Yishan stone carving
Also known as the Yishan Qin Zhuan Monument at the end of Yuan Dynasty. Originally located in the lobby of Zouxian county government, it moved to Gongmen of Mengmiao in the early years of the Republic of China, and 1973 moved to Qimiao for preservation. It is now in Zoucheng Museum.
It can be seen from "Yishan Stone Carving" that Lisi's calligraphy is vigorous and smooth, with rounded lines, symmetrical structure and even stippling thickness, which has both the beauty of patterns and the tendency of flying smartly. The superb attainments of calligraphy covered up the antecedents and dispersed the later sages, making it difficult for all the people who wrote Xiao Zhuan to enter its territory and become the best manuscripts for later generations.