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In addition to the simple, natural and simple temperament unique to Jin people, the reply post also has a hint of bamboo slips and cursive script. Taking bald pen as the dry front, the pen turns with the trend, plain and simple, strange and ancient, and the critics say that "the ancients could not write." The structure is free and easy, showing a relaxed and free state. "Pingfu Iron" is full of the ancient meaning of Cao Zhang, emitting a simple, heavy and dignified atmosphere. Luji was influenced by the ancient thick book style of Qin, Han and Three Kingdoms, so it was pressed with a pen and lifted lightly. Most of the lines are similar in thickness, mainly round, without that kind of chic and elegant writing. Modeling is also based on tolerance and bunching, so as not to let the lines wander too far, just like a bud in bud, but it has not been unfolded in place and closed again. In the hands of Lu Ji, cursive script has not yet become a form of ups and downs. Calligraphers focus on a single word, trying to write it, but failing to enjoy it. It is precisely because of this control that Jews took advantage of the horse and controlled it with titles, showing implicit beauty. The seemingly relatively static state is more anticipated than the horse rushing and the arrow leaving the string. Since ancient times, there has been a saying of "hiding the front", that is, not to let too many sharp strokes appear, even like a sword hidden in the sheath, with a strong spirit. As a calligrapher's performance, it should be like Lu Shiyong of Amin Dynasty said, "If you want to show and hide, you will feel infinite." This, "Ping Fu Tie" is a model.