What are the differences between Tian and Tian's calligraphy thoughts?

Now with the continuous improvement of living conditions, many parents are keen to let their children participate in extracurricular interest classes, and they must not lose at the starting line. Learning calligraphy has the function of cultivating self-cultivation and cultivating sentiment, which is deeply loved by parents. But if you want to understand calligraphy, you must first understand calligraphers, learn to imitate the essence of their works, and raise your calligraphy level to a higher level. Today, there are three famous calligraphers, Tian and Tian. These three calligraphers have different styles and schools. Shen Peng formed a simple calligraphy view on the basis of the inscriptions in the Six Dynasties. On the basis of Tian's theory, he formed the calligraphy thought of bringing engraving pen into full play. On the basis of Chu Suiliang's calligraphy, Fan Xiaoge formed a kind of calligraphy concept with full personality and exaggerated some characteristics of using pens.

One, random stippling, changeable Shen Peng's calligraphy is crooked, and you won't feel amazing at first glance, but if you carefully taste it, you will feel that the stroke arrangement is random and chic, crooked and simple, which is really a clean stream in the calligraphy world. His calligraphy advocates that it is better to look clumsy, beautiful, over-decorated, straightforward and not to point out the arrangement than to carve exquisitely.

Second, meticulous painting, rigid and standardized Tian's calligraphy is completely different, pay attention to the arrangement of strokes, and consider carefully. Although this kind of calligraphy is a little dull and lacks change, it is the best model for children to learn calligraphy. After all, if you want to create a unique character image, you must first learn to write it in a rigid and neat way.

Third, Fan Xiaoge's calligraphy will be more unique than Tian Kai's. He created a unique calligraphy style by exaggerating some strokes. The arrangement of strokes is neat but not rigid, fine without losing personality, which is enough to show its profound calligraphy skills and innovative spirit of constant change.

In a word, Tian and San followed different calligraphy ideas and formed their own calligraphy styles. We can't judge which is better or worse. We can only say that different styles have their own advantages and disadvantages. So learning calligraphy can't just imitate a calligrapher. We should learn from hundreds of calligraphers and finally form our own style.