Fu Baoshi painted the small print carved by Lanting like a chisel of gold and stone.

A major feature of Fu Baoshi's Preface to the Lanting Pavilion is to record the full text of the Preface to the Lanting Pavilion in small letters. Fu Baoshi's calligraphy seal cutting is extensive and profound, but it is covered by his painting name. He studied the epitaphs of Yan Zhenqing in Tang Dynasty and Xiaokai in Northern Wei Dynasty, and was deeply influenced by seal cutting. Fu Baoshi calls himself an "Indian idiot". I carved a seal of "Indian idiot" in my early years and cherished it very much. This is the beginning and seal of this volume. Chen Mansheng, a beginner in seal cutting in Fu Baoshi, is very similar; After learning from Zhao, he was very calm, and then he devoted great enthusiasm to it. Deng studied, accepted everything and opened up his own path. Xiong Shihui once wrote Don't Seek Wen Da, which is 3. 1cm long, 2.8cm wide and 6. 1cm high. Zhuge Liang of India carved the full text of "Qianmo" with 634 words. The most amazing thing is that the seal exhibited by Fu Baoshi in Japan is "Take Zhou Fang Xi Du Ruo", and each side of the seal is less than 3 X4 cm, which can engrave the full text of Qu Yuan's Lisao, with the preface and postscript, and the number of words reaches 2,765 words. The inscription in lower case won Yu Shinan's brushwork. Although the word is as small as a fly's head, it is as powerful as a pestle, which makes people feel the power and charm of the stone. They are ingenious in elegance, meticulous and handsome in strength, and elegant. It can be said that it is both rigid and flexible, natural and unrestrained, and has a striking sense of charm. In calligraphy, it can also show its magical craftsmanship. Fu Baoshi's paintings with inscriptions on long letters are rare, but if there are any, they will be Fu Baoshi's satisfactory works.