Red ~ ~ ~
Just for fun.
Or children's paintings
Use the red one.
Ask to draw it like it's real.
Or the competitive kind.
Use black ~ ~ ~ ~
Hope to adopt
Thank you ~ ~ ~
Question 2: Color the crabs. Draw the color of the crab.
Question 3: What color is the stick figure crab?
Please look at the following stick figure crab: (colored and colorless)
Question 4: How to draw crabs with still life color in gouache still life sketch? We often encounter the problem of painting "pink", and we often have to be vigilant from time to time, fearing that the picture will fall into a "pink" and "light" situation because of improper handling. There are many reasons for the "powder gas" in the picture, which can be summarized into three main reasons. The first reason is that white is used everywhere to distinguish lightness when expressing the differences of color levels and gray levels of objects, which makes the proportion of powder in the whole picture too large, thus producing the feeling of "powder gas". Especially when expressing the color of the light-receiving surface of an object, some candidates blindly add white to make the light-receiving surface show higher brightness, thus losing the inherent color tendency of the object, and the "pink gas" of the picture will follow. It should be noted that even if the highlight of the object is drawn, it only needs to be dipped in a little light source color and inherent color white, so that the highlight of the object drawn will conform to the color tendency of the object. Moreover, the highlight colors of different objects should be different. It is forbidden to draw the highlights of all objects in white. The second reason of "powder gas" is that more white is inappropriately added when representing the dark part of the object. Generally speaking, in gouache painting, the color of the dark part is taboo to add white. Because the white color of gouache is in harmony with other dark colors, it will be particularly "pink" after drying, and it will not be very heavy. Therefore, lemon yellow, pink green, khaki, orange, lake blue and other colors are usually used to adjust the dark color according to the cold and warm tendency of the dark part to show the color change of the dark part. In addition, the wet-thin color matching method can weaken the brightness of the dark part to show the difference between the reflection of the dark part and the brightness of the dark side, thus avoiding the use of white. Of course, it is not absolutely impossible to use white to express the color of the dark part. For some objects with high brightness, such as white porcelain plates, it is of course necessary to use white in the dark to coordinate with other colors. Even for dark objects, experienced authors will use a small amount of white to mix the colors on the dark side when showing dark gray layers with different lightness. The color doesn't need to be cooked, just show some reflective parts flexibly and put a few strokes in the small and medium range. This will not produce the feeling of "powder gas", but will form a rich and full color aesthetic feeling. The third reason for the "pink gas" in the picture is that when the color is dipped with an unwashed pen, the pigment in the palette is dirty, or the palette is not cleaned in time for a long time, or the pigment in the palette is dipped with a pen containing white powder, which affects the intensity of the pigment and makes the picture feel "pink gas". When drawing like this, remember to arrange large blocks with similar colors first to draw as a whole, and pay attention to the cold and warm colors. You'd better draw the deepest part first. Don't be too busy washing off the dirty palette. Maybe we'll need it later. A color may be different the second time. Also, don't be reluctant to use paint, it will make people feel frivolous. You have only studied for one semester, so don't give up so soon ~ If you say your sketch is good, your color will be great. I like square brushwork, but I should also have my own characteristics. Can't adjust the color, take your time, adjust more, and you will have experience! Don't feel bored, don't doubt your sense of color, believe you can do it, come on! ! ! Supplement: I am also learning color feeling, so I can show you the first step of a painting I drew myself. Remember to draw the whole with large pieces of similar colors first, and then pay attention to the cold and warm colors. You'd better draw the deepest part first. Don't wash off the dirty palette, it may be used later. A color may be different the second time. Also, don't be reluctant to use paint, it will make people feel frivolous. You've only studied for a week. Don't give up so soon ~ If you say your sketch is good, then your color will be great. I like square brushwork, but I should also have my own characteristics. Can't adjust the color, take your time, adjust more, and you will have experience! Don't feel bored, don't doubt your sense of color, believe you can do it, come on! ! !
Question 5: How to draw crabs? First, take out a piece of white paper and draw an irregular circle with a small top and a large bottom to highlight the image of the crab. This irregular circle represents the body of a crab.
Then draw the eyes above the crab's body, and draw them left and right separately, represented by two lines and small circles. Be sure to draw it next to your body.
Spend four three-fold lines on the left and right sides of the crab to represent the legs of the crab. Pay attention to the drawing of folding lines. It is better to have a little concave in the middle of each line of the three-fold line.
Then draw a pair of crabs' most famous big pincers, which can be satisfied without a piece of ellipse and circle. According to human understanding, the big arm and the small arm can partially overlap.
The little crab has been drawn. Beautify it again. Draw two vertical lines on the back of the crab. These details are for the crab, plus some small bubbles. Crabs have been painted here.
Question 6: How do crabs draw Chinese painting techniques? To draw crabs, you must first sketch and then create; Second, you must re-create with the meticulous brushwork of famous artists; Third, before you create, you should watch the videos of famous artists painting crabs and listen to the explanations and demonstrations; Fourth, we should learn the skill atlas of drawing crabs.
Question 7: How to make a crab into a hemisphere painting with gouache?
Question 8: How to draw crabs?
Question 9: Who is the best painter to draw crabs? As far as I know, Qi Baishi is good at painting not only shrimps, but also crabs. The most famous painting of crabs is called "Drunken Crab", which depicts three males, one female and four boiled crabs, placed in a big plate with a pot of chrysanthemum wine next to it. Although crabs are widely distributed, they can only be tasted by people. This painting turned out to be the greatest satire on the Gang of Four, and the art world called it "the Eye of the White Stone Old Man".
Question 10: How to draw crabs in Chinese painting Chinese painting also has its own characteristics in composition, pen, ink and color. Generally speaking, the composition of Chinese painting does not follow the Huang Jinlv of western painting, and it is either a long scroll or a vertical axis, and the ratio of length to width is "unbalanced". But it can well express the special artistic conception and the painter's subjective interest. At the same time, Chinese painting and western painting are different in perspective. Perspective is the term of painting, that is, when painting, all objects are correctly represented on the plane, so that it has a sense of space and three-dimensional sense. This method is called perspective. Because the phenomenon of perspective is that the near is big and the far is small, it is often called the "near-far method". Western paintings generally use focus perspective, just like taking pictures. It is fixed on a foothold. Due to the limitation of space, everything taken into the lens will be taken truthfully, otherwise it will not be taken. Chinese painting is not necessarily fixed on a foothold, nor is it limited by a fixed horizon. It can move its foothold to paint according to the painter's feelings and needs, and absorb all visible and invisible scenes into its own picture. This perspective is called scatter perspective or multipoint perspective. As we all know, the famous paintings in the Northern Song Dynasty and Zhang Zeduan's The Riverside Scene at Qingming Festival all adopt scattered perspective. The Riverside Scene at Qingming Festival reflects the rich, complex and colorful scenes inside and outside Bianliang, the capital of the Northern Song Dynasty. It takes Bianhe as the center, from distant Chinese painting to lively "Hongqiao"; The audience can see the city and the countryside; You can see both pedestrians on the bridge and ships under it. You can see not only the balcony trees nearby, but also the streets and river ports in the distance. And no matter where you stand, the proportion of objects is similar. If you draw according to the method of focusing on machines in western painting, many places can't be drawn at all. This is a unique perspective method created by ancient Chinese painters according to the needs of content and artistic expression.
Pen and ink is an important part of Chinese painting modeling. Use a pen to emphasize thickness, slowness, depression, rotation, Fiona Fang and other changes to express the texture of an object. Generally speaking, when starting and stopping the pen, you should use force, your wrist should be stiff, the air in the middle should not be broken, and you should not pick the pen lightly. When using the pen, the force is light, floating, heavy, slippery, slow, thin, and the board is being used. It's all a matter of using a pen to bend like a bow and straight like a ruler. Eighteen strokes of crochet summarized by the ancients can be said to be a summary of the experience of using pens in Chinese painting. As for the use of ink, it emphasizes the interaction of rubbing, rubbing, light and dyeing, and the rational allocation of dry, wet, thick and light to shape the body and set off the atmosphere. Generally speaking, the beauty of ink in Chinese painting lies in the matching of shades. There is no spirit in all shades, there must be shades, the shades should be wonderful but not stagnant, and the shades should be graceful but not gloomy. Using ink is the same as using color. In ancient times, there was the experience of dividing ink into colors, and there was also the painting style of cherishing ink as gold. When using ink, there should be a strong combination of life and harmony, so that there is light in the thick and strong in the light; There are strong and second strong, and there are light and light, which are all flexible ways to use pens in Chinese painting. Because China's calligraphy and painting have many similarities in tools and brush strokes, they have forged an indissoluble bond. The ancients have long said that "calligraphy and painting are of the same origin". However, there are also differences between the two. Calligraphy is changeable, especially cursive script, which is better than painting, and the ink used in painting is rich and colorful, surpassing calligraphy. The word pen and ink is considered as the general term of Chinese painting techniques. It is not only a means to shape the image, but also has independent aesthetic value.
Chinese painting also has its own emphasis on coloring. The pigments used are mostly natural minerals or powder in animal shells, which are wind-resistant and sun-resistant, and will last for a long time. The coloring method is mostly flat painting, which pursues the effect of the inherent color of the object and rarely changes the light and shadow.