Art needs literary heart, and literature is the soul of painting and calligraphy. Not long ago, there were different views and disputes about whether calligraphers needed scholars. In fact, this problem is very superficial, which fully exposes the shallowness of the current painting and calligraphy circles. The art of calligraphy and painting is the expression of life knowledge and talent temperament, which should be cultivated by knowledge. The fundamental difference between a painter and a painter lies in the level of knowledge, not the complexity of techniques. A writer without literary accomplishment can only be a writer all his life.
Zhang Jiesan's experience as a calligrapher can be said to be the best example of interpreting calligraphy art with knowledge. Since childhood, Mr. Zhang has been familiar with the contention of a hundred schools of thought. Poetry, Ci, Qu and Fu, and the traditional culture of Confucianism, Buddhism and Taoism have a far-reaching influence on him. He devoted himself to calligraphy for decades, and successively studied the calligraphy styles of Ou, Liu, Yan, Wei, Cao, Li, Erwang, He, Kang Youwei and Yu Youren, from which he got the true meaning of calligraphy. Look at his writing, there is absolutely no fashion trend, and there is no trace of deliberate artificial carving. He writes freely at will, is pure and natural, and really never forgets his work. His calligraphy is not only law-abiding, but also beyond the law, learning from the past without mud. From regular to impossible, innovative, connotative, charming, mellow and chewy. Because of his high mood, high conception and high realm of pen and ink, he has reached the profound realm of mature youth and returning to simplicity. His writing style is elegant, his words are delicate, his beauty lies in simplicity, and his mind is free. Throughout his life, he studied the brushwork of many masters, learned from others, and formed his own face. He writes with his heart and interprets the art of calligraphy with his life. Without any utilitarian desire, calligraphy became an indispensable part of his life. He said, "I can't live without writing for a day." Completely entered the ideological realm of selflessness and harmony between man and nature. Perhaps this is the simple and natural spirit in his calligraphy, which comes from the platform and is far from the impetuous phenomenon of being keen on money and fame in today's book world.
Mr. Zhang Jiesan is open-minded, indifferent to fame and fortune, and open-minded. He has a profound knowledge of Chinese studies, but he never shows off. For decades, he devoted himself to calligraphy in obscurity. I once met Mr. Jiang. His face is thin, his back is bent, his words are modest and kind, and he has no condescending pride. Although we just met in a hurry, it left a deep impression on me.
Guo once said: "the character is already high, and the charm is still high; The charm is already high, and the vividness is still coming ... The secret comes from Fu Ling. " Zhang Jiesan's words are enough to witness the truth of this theory.
Zhang Jiesan's calligraphy embodies the unique spirit of pen and ink in China's calligraphy and the aesthetic thought of a traditional philosophy. There is no sense of handcraft and vulgarity, and there are no strange and shallow traces now, giving people a neutral, elegant and inseparable aesthetic enjoyment. Reading Mr. Wang's works can purify people's minds and cultivate their sentiments. His contribution to the development of China's calligraphy is obvious to all.
(19 1 1-) Ming Mingjun, a member of China Calligraphy Association in Pingdu, Shandong Province, began to learn calligraphy at the age of five, entered the village school at the age of six, and received 17 years of private education. Jie San's fate is bumpy and there is no other good life. He regards calligraphy as his life and has been exploring and pursuing it all his life. In the spring of 1990, he went to Qiu Lai, and no one was there. After reading Zhang Lao's calligraphy works, Shen Peng, chairman of China Calligraphers Association, once wrote poems to praise worshipping the valley and belittling the vulgar, preferring Xiangyang as the 13th Stars Award of the Ministry of Culture, the highest award of China Calligraphy Government. ...
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