Who is the calligrapher who has no intention of being a Taoist priest?

Unintentional Taoist (A.D.16-17th century), a monk in the Ming Dynasty, a native of central and southern Shaanxi, abandoned Confucianism and became a monk, a painter in the late Ming and early Qing Dynasties, with an unintentional legal name.

The year of birth and death is unknown.

Good at landscapes and figures, especially Buddha statues.

The characters are vivid and vivid, the lines are vigorous and hearty, and the pen and ink are indulgent.

Feng Wang said that he was good at mountains and rivers, and like all venerable persons, he had ancient laws, things beyond his power, and achieved success in painting and calligraphy.

Handed down from ancient times, there is the volume Luohan Tu, which is 279 cm long and 1 666 cm wide. A 78-year-old volume has been recorded in Mazhai Garden.

After the volume, there is Wang Feng's long postscript (), which is recorded in the 35th issue of Yi Yu Juanying.

According to more than 100 words in Wang Feng's Postscript to the Fire of War, calligraphy and painting withered, and suddenly he met a monk on the water and ended up in the south unintentionally. He was suddenly enlightened in his seventies. It is inferred that Wang Yitong was in the Shunzhi period after the demise of the Ming Dynasty and in the early Qing Dynasty when he was not interested in water (now Hanjiang River, a tributary of Weihe River in Shaanxi Province).