Red Classics: "Revolutionary Holy Land" in Mao Zedong's Poetry and China's Modern Painting —— Focusing on Guan Shanyue's Works
Suffering in wartime and exotic customs —— Guan Shanyue's figure painting in the Republic of China
Guan Shanyue's Debate on Plum Blossoms
The Significance of Sketch —— Preface to Sketch Collection of Shu Middle School
Representing life and reflecting the times —— Guan Shanyue's figure painting after 1950s
A detailed landscape painting-A brief introduction to Guan Shanyue architectural Chinese paintings in 1950s and 1960s.
Study on Hualin in Dunhuang, Guan Shanyue
Win fragrance and beauty —— Brief introduction of Mr. Guan Shanyue's flower-and-bird painting art
Fengshen Sketching —— Interview with Mr. Guan Shanyue
Inheritance and Development —— On Guan Shanyue's Exploration of China's Figure Painting Teaching from Needle Punching
Statutes change at any time, teach me how to draw —— On the role of sketch in Guan Shanyue's innovative practice of Chinese painting
Rhyme is Better than Bone —— A Study of Guan Shanyue's Early Comic Story of Shrimp Ball and Mountain.
Thoughts on Reading Guan Shanyue's Comic Story of Shrimp Ball
Dunhuang Art Information in Guan Shanyue
The Times and Historical Significance of Guan Shanyue's Genre Paintings —— Also on the "Spirit of the Times"
Double Text of Imitation and Creation —— A New Interpretation of Guan Shanyue's Imitation of Dunhuang Murals
Change brings forth the new, tailoring through the ages —— On the change of Guan's artistic style from the schema of Jinggangshan
Romance and Tragedy —— Guan Shanyue's Westbound Choice during the Anti-Japanese War.
Lingnan School's Exploration of Landscape Painting
Exploring the Ancient Qiong Qi and Feeling the Truth —— A Preliminary Study of Guan Shanyue's Early Landscape Paintings
There is no end to Dan Qing's creation and his exploration —— An argument about Guan Shanyue's early artistic career.
The east wind moves everything, and the scenery is China —— Interpretation of Guan Shanyue's artistic course in the early days of the founding of the People's Republic of China.
There are so many beautiful mountains and rivers —— On the development trend of Guan Shanyue's early landscape painting art
Seeking innovation and change from ancient times to the present —— A preliminary study on the significance of Guan Shanyue's copying Dunhuang murals
Aim at Sketching and Walk Wan Li Road —— Guan Shanyue's Sketching Course in the 1940s
Second, the study of China artists in the 20th century.
White Clouds Crossing the Green Ridge —— Preface to Huang Junbi's Painting Collection
Master's Road to Success —— "Learning from the ancients, learning from nature" and Huang
On the Points in Huang's Paintings —— Also on the Virtual and Real Value in His View of Pen and Ink
The Historical Status and Contemporary Significance of the Theory and Practice of Yellow Brush and Ink
Lu's mountain complex
Li Xiongcai's contribution to the painting history of China in the 20th century.
Song Wenzhi's position in the history of landscape painting in the 20th century.
A Summary of the Academic Forum on "Yellow and Pen and Ink"
Huang and Biography of Mustard Seed Orchard
The Significance of Pen and Ink in the Renaissance of China Literati Painting and Japanese South Painting —— Taking the communication between Huang and Tanabe in the 1920s and 1930s as an example.
On the Shanghai-style Cultural Characteristics of Huang Art —— The influence of Shanghai-style culture on the formation of Huang's artistic thought in the early 20th century
Pen and ink are interesting —— Reading Mr. Lu's On Landscape Painting
Seeking originality —— Interpretation of Huang's "Five strokes and Seven inks" method (first draft)
Kindness, Simplicity, Wisdom and Humor —— Thoughts on Qi Baishi's figure painting in The Secret Collection of Beijing Academy of Painting
Song Wenzhi and the New Jinling School of Painting
Han Leran's Love with Dunhuang Mogao Grottoes and Qizil Grottoes
Exploring the Roots of China Traditional Art —— Han Leran's Copy and Study of Qizil Murals
On the Innovative Consciousness of Li Xiongcai's Landscape Paintings
An old man, a period of history
Xu Beihong's pen and ink improvement —— Also on the distance between Xu Beihong and Huang Pen and ink
Spring Breeze and Green Jiang Nanan —— On Song Wenzhi's Jiangnan Painting
Flying in a Dream —— Yaming's Life and Art
Painting with Books —— Analysis on the Characteristics of Huang's Painting Pen
On Han Leran's Painting and Related Artistic Problems
Being able to recreate the mind of heaven and earth for pen use alone —— One of Li Xiongcai's artistic studies
The silk river with beautiful spring scenery floats between heaven and earth, like a cloud on the edge of the jade peak, floating between ancient and modern times —— On the literariness of Lu's art
On Huang's "Hooking and Sketching Method"
My humble opinion on the inside and outside of Chinese painting —— Thoughts on Lu Painting Exhibition
Seminar on Chinese Painting in Huang Junbi and Guangdong and Related Issues
Pen and Ink Features of Flower-and-Bird Paintings in the Late Yellow Dynasty —— Taking Imitation of Yuan Flowers, Leaves of Forty-eight Years, Huangshan Wildflowers and Laopuqiu as Examples
Two Ways to Explore —— Comparison between Gong Ink Painting and Huang Ink Painting
Lu's artistic thought and his achievement of "restoring the past to the new"
Third, the 20th century China art research.
Revolutionary Holy Land in New China Stamps
A Topic Related to "Building a New China": An Investigation of the Peasant Mural Movement during the Great Leap Forward —— Centering on the Peasant Mural in Pixian County
Theme and Times: Creation in Helplessness
Building a New China —— The theme of Chinese painting in 1950s.
Passion of the Times and Images of History —— A Brief Introduction to Mao Zedong's Poetry and Revolutionary Holy Land Chinese Painting in 1950s and 1970s.
There are three types of Dunhuang suicide notes: the characteristics of calligraphy and its historical value of calligraphy.
"Idol Movement" in China in the 20th Century —— Passionate Years —— A Preliminary Study on "Special Exhibition of Mao Zedong's Poetry and Revolutionary Holy Land Works"
The Distance of Dunhuang and the Weight of Art History —— On the Absence of Art History Works in Dunhuang Studies
The ebb and flow of the tide —— An overview of China's socialist construction paintings after 1950s.
The Red Wave of China Painting in the Mid-20th Century
The Solemnity of Silence —— Dunhuang and China Fine Arts in the 20th Century
The Power of Art —— An Overview of Anti-Japanese War Printmaking Art
A Study of Female Images in Paintings during the Cultural Revolution
Neo-classical factors in architectural painting of New China in 1950s and 1960s.