What kind of person is Zhu Yunming in calligraphy?

Zhu Yunming is a very talented and talented person, and he pays great attention to hard work in learning calligraphy. His method is recorded in history books and some notes, which is almost unbelievable. Wang Shizhen, a writer and historian in the Ming Dynasty, wrote a book "An Unfortunate Talk about the Art Garden", which talked about several teachers of Zhu Yunming who studied calligraphy, and almost all the names of the great calligraphers were reported: regular script came from Yuanchang, Erwang, Yongshi, Secret Prison, Lin Geng, Henan and Xing Wu. Caocao studies in Daling, Yongshi, Henan, Guangxi, Dianwei, Beihai, Meishan, Xiangzhang and Xiangyang. I can't wait to write, the Evening Festival is unpredictable, romantic and naive, and really worthy of Xing Wu, no matter what he does.

Gu Lin, one of the "Four Masters of Jinling" in the Ming Dynasty, also holds the same view: the calligrapher is exquisite, and since the collection of Nine, he has been arrested by Zhao and Yu for thousands of years, and his pavilion has no structure. If he is sincere, sincere and down-to-earth, Huai Su is wild and uninhibited, and his writing is beautiful.

Zhu Yunming's calligraphy is very good. At that time, he declared himself, Wen Zhiming, Tang Yin and Xu Zhenqing as "four gifted scholars in Wuzhong". Together with He, Wang Chong and Chen Daofu, they are called "four great people in Wuzhong".

He was born into a family of calligraphy and painting. His grandfather Xu Youzhen and his father-in-law Li Yingzhen were both famous masters in the middle of Ming Dynasty. Zhu Yun Ming himself was influenced by them day and night, and his natural vision was extremely high, so he was very popular.

Zhu Yunming is a man with personality and spirit. He writes books based on his talent. He is "wild and unrestrained, and his face is not stingy." This is the real Zhu Yunming. His calligraphy is unique, not to mention weeds, that is, grass, and there is not much pride to make, but it is also natural and unrestrained, without obstacles.

Later, Zhu Hegang, a calligrapher in the Qing Dynasty, wrote in Linchi Meeting Heart: I wish Jingzhao grass a spiritual sense of the right army, and when it shows its gun, the grass is pure and harmonious, dense and dense, and rich in small sources, comparable to Gong Chu.

The grass in Zhu Yunming's Hou Chi Bi Fu can be roughly seen. Cursive script is not Zhu Yunming's masterpiece. His big grass is vigorous, vigorous and heroic, and the fine print is elegant and mellow, which is admirable.

In contrast, grass has no obvious characteristics. However, Zhu Yunming's cursive script cannot blindly pursue the wild spirit of grass, nor is it limited to the cleanliness of fine print, but it is full of frustration and elegance, just like a regular cursive charm.

Zhu Yunming's brilliance in calligraphy is that he is not troubled by habits and personal style. He accurately grasped the style characteristics of Xiaocao calligraphy, and used it in an orderly way without "cross-tone", which shows that he is a master.

Zhu Yunming's calligraphy changed the trend of the Ming Dynasty's single flattery to the Zhu royal family, changed the trend of "Taige style" to unify the calligraphy circle, and made contributions to the development of China's calligraphy.