Cui de calligraphy zi

Song Huizong/Poetry Post

Square calyx, rotten in court. Zero dew is drunk, and the sunset seems to melt. Dan Qing is difficult to write, and naturally there is merit alone. Butterfly dance fans fragrant path, dancing night breeze.

Explanation:

Square calyx, rotten in court.

Zero dew is drunk, and the sunset seems to melt.

Dan Qing is difficult to write, and naturally there is merit alone.

Butterfly dance fans fragrant path, dancing night breeze.

Song Huizong (1082- 1 135), surnamed Zhao Mingwa, was the eighth emperor of the Song Dynasty. He lived a luxurious life, which made him the king of national subjugation. He is naturally good at painting and calligraphy, and he is very talented in painting and calligraphy. He is good at depicting objects, flowers and birds, and especially good at depicting details. He dominated the painting academy in the late Northern Song Dynasty and had a great influence on China's painting. Song Huizong's calligraphy was named "Bo Jin Shu". This calligraphy style originated from Yukime (649-7 13) and Xue Yao (684-704) in the Tang Dynasty, and then from Chu Suiliang (596-7 13).

Fine gold calligraphy is characterized by fine strokes. At the turning point, the traces of hidden front, exposed front, operation and Teton are strengthened and preserved, which has become the basic stroke structure of thin gold calligraphy. When writing a horizontal line, the starting point of the pen is sharp. First, it inclines downward, then it walks sideways, leaving a pause when receiving the pen. This is one of the characteristics. Although the structure is open, the overall brushwork is mostly straight, erratic and as fast as a grass. In this painting, Hui Zong's calligraphy is the largest handed down from ancient times, and its calligraphy style is strong and thin.