Born in Quyang, Hebei Province in 1941, he is currently the vice president of the Chinese Five-body Calligraphy Research Association, the executive director of the Chinese Calligraphy and Painting Artists Association, the director of the China Hong Kong Federation of Literary and Art Circles Calligraphers Association, and the director of the Hebei Provincial Calligraphy Association. Vice president of the Research Association of Famous Calligraphy and Painting Masters, Vice Chairman of the Research Association of Famous Calligraphy and Painting Masters of Chinese Art, Vice Chairman of the World Federation of Outstanding Chinese, Honorary President of the National Palace Museum in Taipei, China
, and lifelong visiting professor. I have been passionate about calligraphy since I was a child. I used the sand on the ground as paper and folded branches as pens. I used Wang Xizhi's "Holy Religion Preface", Yan Zhenqing's "Duobao Pagoda" and "Qinli Stele" as teaching materials. In his later years, he studied Mi Fu's pen "Plum Blossom Ode" and Huai Su's "Autobiography" draw on the strengths of many writers and absorb their essence wholeheartedly.