The Queen of Khitan is Xiao Guanyin.
Biography Xiao Guanyin (1040～1075)? A female writer in the Liao Dynasty. Empress Yelu Hongjiyide of Liao Daozong, her father Xiao Hui (mother of Xingzong of Liao Dynasty) brother). She loves music, is good at pipa, poetry, and can make her own lyrics. He once wrote poems such as "Fu Hu Lin Ying Zhi" and "Monarchs and Ministers Comrade Hua Yi Ying Zhi", etc., and was hailed as a talented woman among women by Daozong. During the Chongxi period (1032-1055), she was taken as a concubine by King Yelu Hongji of Yanzhao and gave birth to the prince Yelu Jun. In December of the first year of Qingning (1055), she was established as queen, with the title of Queen Yide. The emperor's uncle Yelu Chongyuan's wife Yanye was too proud of herself. Xiao Guanyin warned her: "As a noble housewife, why should I be like this!" Later, because of his admonishment to hunt Qiu Shan, he was alienated by the emperor and wrote ten poems in "Hui Xin Yuan" to express his feelings. Feelings of resentment and despair. In November of the first year of Dakang (1075), Prime Minister Yelu Yixin, palace maid Shandeng, Jiaofang Zhudinghe and others submitted "Shixiang Ci" to Daozong of the Liao Dynasty to falsely accuse Empress Xiao of having an affair with the court official Zhao Weiyi. Xiao Guanyin was sentenced to death by Daozong, and his body was returned to the Xiao family. In June of the first year of Qiantong (1101), Emperor Tianzuo posthumously named his grandmother Queen Xuanyi and she was buried in Qingling.
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Biography of Xiao Guanyin
Liao Kingdom Customs The Liao Kingdom was established by the Khitan people. Europeans called it Cathay and thought it was China. The Liao Kingdom is mainly composed of two major tribes, one is the Yelu tribe of the emperor's tribe, and the other is the Xiao tribe of the queen's tribe. These two tribes still retain the ancient habit of marrying each other and matching each other from generation to generation. Although the Liao Kingdom ordered its ministers to create Khitan script since its founding monarch Yelu Abaoji, it was still relatively barbaric compared to the Central Plains. Reading has always been strictly prohibited in the court of the Liao Empire. They believed that reading was not only a waste of time, but also made one's mind too complicated. Therefore, most of the queens were not gentle enough, but brave enough. Empress Xiao of the Liao Kingdom was often able to command thousands of troops and horses to charge into battle, and lived a life where "the horse is like Lu Fei, and the bow is like a thunderbolt."
The talent of Queen Xiao The queen of Daozong of Liao Dynasty is called Xiao Guanyin, and she is an exception in the series of Queen Xiao of Liao Kingdom. The Khitan people all maintained the custom of martial arts and loved hunting. Daozong of the Liao Dynasty often rode a BMW known as "Flying Lightning", traveling thousands of miles in the deep mountains and deep valleys. On this day, Xiao Guanyin accompanied her husband on a hunting trip. He was full of heroism and chanted: The majesty and majesty of Nanbang are overwhelming, and the Yalu River can be crossed when going east; all the spirits and monsters are brave, but the tigers will not surrender. Using hunting as the theme showed great ambition and power in all directions. Daozong of the Liao Dynasty was very happy and immediately named the place Fuhu Forest. But generally speaking, Xiao Guanyin is still a kind of intelligent, elegant, charming and charming woman. Her talents are mainly reflected in poetry, calligraphy, and music. "She played the pipa very well and was considered the number one at the time. This talent was incompatible with the customs and habits of the Liao Kingdom. Coupled with her introverted and delicate personality, she was unable to adapt to scenes of galloping horses and archery, often dripping with blood, and she was doomed. Her life was a tragedy. Both Zhu Yizun and Nalan Xingde of the Qing Dynasty had great sympathy for her tragedy. Zhu Yizun said in his poem about Xiao Guanyin: The fine grass contains velvet, and the round lotus leans on the cover, just like dancing. The clothes are similar. Returning to the courtyard, I asked if I could leave the word "Xiao" in the fragrant mud at the foot of the palace. I was deeply nostalgic and burned the pepper to search for the dream paper. Nalan Xingde wrote: Who has seen the beauty in the sixth palace? The mirror is empty, and the mandarin ducks are blowing through the white duckweed; looking at the west of Rouge Pavilion, there are piles of dust, only flower bells, and the wind is whispering late at night.
Back to the heart of the courtyard, Xiao Guanyin's desperate hunt for Daozong of the Liao Dynasty. The activities were very disturbing, and he often advised Daozong of the Liao Dynasty to stop hunting activities. Daozong of the Liao Dynasty was very happy with it. He could hear the nagging of women and Taoists. In order to be out of sight and out of mind, he gradually alienated Xiao Guanyin. Xiao Guanyin fell in love with him from then on. The palace is lonely. In the midst of boredom, she hopes to touch her husband's heart and regain the joy of the past. The first of the ten poems in "Hui Xinyuan Ci" is written to urge the palace people. Cleaning the palace: Sweeping the deep hall, keeping the gold pavement dark; The silk net is piled up, and the old moss is thick on the steps. The second poem is about wiping the ivory bed: Brushing the elephant bed, relying on dreams. Gaotang; I broke half of it to know that my concubine is lying there, and the sky is like a bed with little light, waiting for the king. The third poem is about changing the fragrant pillow: half of it is without clouds and brocade; in order to make autumn come, there will be more. Tears seep out. The fourth poem is about laying out a brocade quilt: I am ashamed to kill the mandarin ducks; I still remember that it was called Hehuan, but now I am laying out a green quilt, waiting for you to sleep.
The fifth poem is about hanging an embroidered tent: When decorating a rural tent, I dare not put the golden hook on it; when I remove the luminous beads from the four corners, I don’t want to see the sad look. Install the embroidered tent and wait for you to sleep. The sixth poem is about making up the mattress, folding the brocade leaves, and laying them out in the air; I only want my body to be a white jade body, and I don’t want to be a miserable person. Stacked brocade quilt, waiting for the king to come. The seventh poem is about Zhang Yao's banquet: When the Yao banquet is displayed, the flowers smile three Hanbi; the concubine laughs at the new jade bed, and the wife never ends in joy. Exhibit Yao banquet, waiting for you to rest. The eighth poem is about polishing the silver lamp: It is equally clear to know how to polish the silver lamp; it only makes the king dizzy with color, and he pretends to be green to his concubine. Remove the silver lamp and wait for your visit. The ninth poem is about lighting the incense burner: Burning the incense burner can soothe loneliness and boredom; if a concubine is dirty and humble, she will soak herself with royal fragrance and penetrate her skin. The burning furnace is waiting for your entertainment. The tenth song is about playing the Zheng: Zhang Mingzheng, just like the sweet oriole; when I play the music in the room, it often matches the sound of wind and rain in front of the window. Zhang Mingzheng, waiting for you to listen. Modern sexual psychology believes that in order to make the sexual life of couples full of harmony, happiness and joyful feelings, we must pay attention to the place and environment
[A generation of talented woman Xiao Guanyin]
A generation of talented woman Xiao Guanyin
The rendering and layout of the environment can even be adjusted appropriately to make the lighting of the sex place more exciting and the objects rearranged in order to keep it fresh and exciting. Xiao Guanyin's "Hui Xinyuan Ci" arranges a luxurious, luxurious, comfortable and warm place to wait for the arrival of Daozong of the Liao Dynasty. Her good intentions reflect her eagerness to be lucky. "Hui Xinyuan Ci" is so touching that Xiao Guanyin asked the court musician Zhao Weiyi to compose the music. Zhao Weiyi put his energy and wisdom into full play in "Hui Xin Yuan Ci". A jade flute, a pipa, Xiao Guanyin and Zhao Wei's perfect match, which always made the listeners' hearts flutter. There were rumors in the harem that they were in love, and some people with ulterior motives used the rumors to maliciously slander and deliberately frame Xiao. Guanyin.
First of all, Shi Xiang Ci, the emperor's uncle of the Liao Kingdom rebelled and rebelled. The royal family Yelu Yixin made contributions to quelling the rebellion and was awarded the title of Crown Prince Taifu. Daozong of the Liao Dynasty hunted for a long time. Yelu Yixin gradually took over the power and all the court officials were incompetent. As a result, his ambitions grew day by day. Xiao Guanyin's son, the prince Yelv Rui, was quite wise, and Yelu Yixin was a little afraid of him. So he wanted to take advantage of the rumors that appeared between Xiao Guanyin and Zhao Weiyi to attack them. This was a golden opportunity. Under the counsel of the dog-headed military counselor in the tent, he secretly sent someone to write "Ten Fragrance Ci" to further frame the situation. "Ten Fragrance Ci" respectively writes: The first fragrance: fragrance. The black hair is seven feet long, which is stretched out to decorate the interior of the house. On the pillow where I don't know how to sleep, I can feel the fragrance of green clouds. Second fragrance: frankincense. A piece of red gauze is strong, gently blocking the light of white jade; if you try to open your chest and explore, it will be more fragrant than trembling. The third fragrance: cheek fragrance. The smile has lost its new beauty, and the lotus has lost its old makeup; the two are comparable, just like the fragrance of pink cheeks. The fourth fragrance; neck fragrance. The grasshopper's feet are close together, and its long beard is like that of the phoenix; the joy of last night's arm should make the neck fragrant. The fifth fragrance: the fragrance of exhalation. With the wonderful taste, I sent words to the palace merchants; Ding Zhilang's mouth contained a sweet fragrance. The sixth fragrance; the fragrance of mouth balm. It's not about the smell of alcohol, nor about the fragrance of your mouth; but it's about the flowers explaining the meaning, and the wind brings the fragrance. The seventh fragrance: jade hand fragrance. After picking the pistils from the forest, I also kissed the mulberry trees in the royal garden; when I came back, I held hands with them, and the slender spring bamboo shoots were fragrant. The eighth fragrance: golden lotus. The seams of phoenix boots are thrown away, and the light frost is removed from Luo socks; who warms the white jade and carves soft hooks and fragrances. Ninth fragrance: The fragrance inside the skirt. The color has trembled when the belt is untied, and the tentacles are getting busier; the fragrance inside the skirt can evacuate the soul. The tenth fragrance: Fragrance all over the body. Coughing and spitting the Qianhua brew will make your skin white and smooth. It is nothing more than drinking the sinking water, and the whole body will be fragrant. After the "Ten Fragrance Ci" was completed, Yelu Yixin secretly asked Qingzi, the wife of Zhu Heding, a pedagogue with whom he was in love, and then Qingzi asked Shan Deng, a palace servant who was good at playing the pipa, to act with the camera. "Shi Xiang Ci" is dedicated to the queen, saying that it was written by the queen of the Song Dynasty. If the queen can copy it and compose music for it, it can be called a masterpiece and leave a good story for future generations. The wording in "Shi Xiang Tong" is very ambiguous, and it is somewhat difficult to be elegant, but this is in line with the mentality of Empress Xiao in loneliness. After Xiao Guanyin read it, she loved "Shi Xiang Ci" deeply and felt that it was elegant and elegant. In addition to copying it with colored silk, I also wrote another poem at the end titled "Reminiscence of the Past"; Only Zhao Jiazhuang was in the palace, and the fallen rain and lingering clouds mistook the King of Han; Only the knowing moon, once glimpsed the flying swallows entering Zhaoyang.
After being wronged and died, Xiao Guanyin completely fell into the trap set by Yelu Yixin. Yelu Yixin immediately took the "Ten Fragrance Ci" written by Xiao Guanyin to Daozong of the Liao Dynasty. There were such wild claims, and with this "physical evidence" and some rumors from the past, the simple-minded Taozong of the Liao Dynasty who loved hunting couldn't help but believe it. At this time, Yelu Yixin's lackey, the Prime Minister of the Liao Kingdom Zhang Xiaojie, Taking the opportunity to misinterpret the poem "Nostalgia", he said: "In the poem, 'Only Zhao Jiazhuang is in the palace', and 'Only the one who knows is the moon.'" contains the three words "Zhao Weiyi". This is the expression of the queen's longing for Zhao Weiyi. . "At this point, Daozong of the Liao Dynasty became jealous and furious. He believed that Xiao Guanyin was having an affair with the acting official Zhao Weiyi and ordered Xiao Guanyin to commit suicide. Zhao Weiyi executed him late. Xiao Guanyin's request to see Daozong was not allowed. She was so dissatisfied with Daozong. Missing him so much that he committed suicide at the age of thirty-six. The prince Yelu Zhi, who was just eighteen years old, was also deposed as a commoner by Yelu Yixin, and was later killed by Yelu Yixin's ambition to seize power. Daozong knew that he gradually deprived Yelu Yixin of his power, and finally killed Yelu Yixin on the grounds that Yelu Yixin tried to flee to the Song Dynasty. After the death of Daozong of the Liao Dynasty, the emperor's grandson Yelu Yanxi succeeded to the throne. Emperor Zuo, in order to clear up his grandmother's grievances and to have his father killed, first cut open the coffin of the dead prime minister Zhang Xiaojie and slaughtered his body, and then searched for Yelu Yixin's descendants and relatives, and executed them all of course. A woman from the Xiao tribe is still the queen, but there is no other woman as beautiful as Xiao Guanyin and with such high literary talent.
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Evaluation of Works Xiao Guanyin's "Hui Xin Yuan" is the most famous. For example, in Part 5: "When picking out a silver lamp, the instructions are as clear as the others." It just so happened that you were born with a halo of color and pretended to be young and beautiful to your concubine. Remove the silver lamp and wait for your visit. "No. 10: "Zhang Mingzheng is just like the charming oriole. As soon as I played a song in the room, it was often accompanied by the sound of wind and rain in front of the window. Zhang Mingzheng, waiting for you to listen. "These short lyrics are gorgeous and have sad meanings, which are highly praised by later generations. Xu Yi, a native of the Qing Dynasty, commented: "Resentment but not anger has won the implicit meaning of the poet. At that time, Liu Qi's tune had not yet been popularized in the Northern Kingdom, so Xiao's poems had a strong legacy of the Tang Dynasty. "("Ci Yuan Cong Tan") Xiao Guanyin's poem "Reminiscence of the Past": "There are only Zhao family makeup in the palace, and the defeated rain and lingering clouds mislead the King of Han. Only one person who knows about it has watched the flying swallow enter Zhaoyang. "The sadness is stubborn and beautiful, and it is very moving. Empress Xiao got into trouble because of this poem and wrote "Shixiang Ci" for the palace maid. Xiao Guanyin's poems and essays are all recorded in "Fengjiao Lu" written by Wang Ding. Wang Ding ( ? ~1106) Zi Xuzhong, a Jinshi in the Dao Zong Dynasty, a bachelor in Guan Shu Hall, a man of integrity, and good at writing poems. The first volume of "Fengjiao Lu" was written when he was exiled to Zhenzhou in the fifth year of Da'an (1089). . The book records the murder of Xiao Guanyin in detail, and records many of her works, including the "Xu Baichuan Xuehai" version, the "Jin Tie Secretary" version, and the "Shuo Yong" version of Wanweishantang. etc.