There are many kinds of board cavity music. Among them, Adagio is the most representative music system of Yuediao, including Adagio, Yin Si Board, Bar Board and Gaussian Cavity. Among them, 28 boards in Mourning Zhuge Liang, such as Xiao Qiao sitting in the house and September Chongyang Chrysanthemum Yellow, are another example of embroidered screen and sunny day. Adagio's words are few words and many words, one-sided and three-eyed, and more express feelings such as sadness, sentimentality, homesickness and lament.
Running water is the most widely used one in Yuediao music creation, including slow running water, bitter running water, continuous running water, counterpart running water, catchy running water and tight running water.
When using bronze to tune music, playing bronze when entering the door is more rap. Up and down sentences, copper every two sentences. The tone of its derivatives is crosshead, that is, the word 10 per sentence and the structure of three, three and four. The most famous is Four Thousand Years of Shame.
There are seven words in each sentence, with the structure of "223", such as "the sky is full of dark clouds, and the wind blows away", "the old friend before the spirit sacrifices the loyal soul" and "the sun sets, the western hills turn east, and the Yangjiabao is loyal to our country".
Stack subclass, also called "save subclass". The main types of this kind of music are crib and roof singing. Singing on the board is called roof singing, which means folding, and singing on the eyes is playing randomly. The derivative discs of the crib subcategory include flower cribs, such as Debate of Confucians and Mo Dao, the Yangtze River is swift and violent. Overlapping, such as "sitting on the mountain" in "Lower South Liu Jinding". This kind of music has many words, and the words are flexible and can be added. Mainly used for narrative, accusation, argument, sad and painful complaints and other plots.
There are three kinds of loose boards: no board, rolling board, inverted board, big board and challenge board. Flipping is the introduction of an aria, such as "Sailing the Yangtze River to the East by Changfeng" in The Scholars, and its derivative disc is called "Soft Flipping", which is mostly sung by Dan Jiao, such as "The wind is rustling and the fog is long and the stars are bleak" in Yangmen Woman. Most of the challenges are sung behind the scenes, for example, the prelude of "Girls, Come with Mom" in "Cutting Yang Jing", "The West Mountain is also turning eastward".
In addition, there are crying, crossing the board, black clips, touching the board, touching the flower stack and so on. Touch the board, also known as "Lamar tune". Singing on the roof is often used for lyric and duet. The flower-touching crib is a combination of touch board and flower crib, which is often used to express lyrical and slow emotions. For example, there is a 10% discount on the "Kongming Sacrifice Lamp" in "Worship the Mountain".
Yue Diao's vocals are elegant and simple, with adagio, guide plate, brass tune, praise, crying, running water, flying board, tight beat and slow singing, and various beat forms such as slow, medium, fast and scattered.
In addition, there are other forms such as blowing tune and miscellaneous tune, such as Fang Ya Yo, doll tune, string bell, Little Cowherd, Dianjiang Lip, Tongguan tune, evil wind song, visiting relatives, Mei Huajiu, prodigy order and Thirteen Hums.
The Yuediao aria consists of two sentences. Generally, the previous sentence ends in other tones other than modal tonic, and the next sentence ends in modal tonic. Generally, the lyrics of Yuediao mainly consist of seven words and 10. Its syntactic structure has many forms, such as starting from the purpose and falling on the board, starting from the board and falling on the purpose, starting from the board and falling on the purpose, etc.
In the field of literature, Yuediao accompaniment instruments are mainly four strings with elephant trunk, and then gradually transformed into short-pole form, and the timbre of the strings changes accordingly. In addition, playing the stringed instrument yueqin together constitutes the "three major pieces" of yuediao accompaniment.
In addition, there are accompaniment instruments such as bamboo flute, sanxian, suona and sheng. Later, erhu, zhonghu, zhongruan, guzheng, pipa and cello were added to Yuediao.
Generally, drums, cymbals, big gongs and small gongs are the main accompaniment in Yuediao martial arts venues, supplemented by drums and bass gongs. Later, a variety of colorful and effective percussion instruments were gradually added to make them expressive.
In terms of lyrics, the original traditional opera of Yuediao is very rigorous in structure, with fewer lyrics and more words, and the sentences are more elegant and mysterious, and it is also sung in a certain tune and tone. Later dramas were mostly based on rap stories and novels, with many lyrics and few words, which were easy to understand.
There has always been a saying that there are nine tones, eighteen tones and seventy-two tones in Yuediao. Yuediao is mainly based on true voice and supplemented by falsetto when singing. As early as the end of the Qing dynasty, the form of drawling at the end of the sentence was popular, and the singing method chose Ba Holiday Sound. Later, it was gradually stopped.
The range of pure singing is five degrees higher than that of other corresponding occupations, so most of them are falsetto singing. Because the business of music is all actors in the Qing dynasty, it is easier to adopt the way of sharing the same palace and cavity. Later, with the actress singing on the stage, Yuediao gradually adopted the method of men and women living in the same palace with different cavities.
There are more than 200 pieces of Yuediao instrumental music, which are divided into flute and chord. There are flute cards such as Xiao Taohong, Zheguiling, Yan,, selling fine wine, picking Jiangnan, going to Xiaolou and parasitic grass. String cards mostly come from folk music, such as opening doors, holding gourds, opening doors, folding jadeite jade, enjoying bitterness, spending leisure time, climbing ladders and sweeping the floor.
Zhao Diao in Yue Diao has some special skills in performance, such as playing Jia Gouwa who can bleed in Dajing, Fan who can gnash her teeth in Zhou Yu, Du who can show her fangs, and Liu Jinzhong who can change her face.
Yuediao has complete roles, including big red face, two red faces, Wensheng, Wusheng, Dajing, Ermao, Sanhua, Zheng Dan, Hua Dan, Guimendan, Langdan, wudan, Lao Dan, etc. Each role has a distinct personality.
Yuediao music is rich, with the saying of "Nine tunes, Eighteen tunes and Seventy-two Hums". The first five cavities of the "nine cavities" are called one cavity, two cavities, three cavities, four cavities and five cavities respectively, all of which belong to the flexible board. Starting from the sixth chamber, it can be changed into a water flow plate, but it can also be changed from the second chamber, the third chamber or the fourth chamber. The sixth cavity is called "color cavity", the seventh cavity is called "blowing cavity", which belongs to Qu version, the eighth cavity is called "Kunqu cavity" and the ninth cavity is called "crying cavity", which is faster.
"Eighteen Tunes" refers to the crosshead tune, random play, Tonggu tune, armored tune, Lama tune, Tongguan tune, Dala tune, Tietie tune, Sihe tune, set bar tune, Monkey Play tune, Qing Palace tune, Luo tune, Niu Si tune, drag tune and scare tune.
There are two musical systems of Yuediao: Qupai music and Banqiang music. Qupai music originated from local music such as North-South lyrics and zaju, and there are differences between string qupai and suona qupai.
In a word, Yuediao vividly reflects the social life in the Central Plains, and has important research value in social history and art history.