I have been tired from walking in the abandoned mountains for a long time, but I am still able to dance drunkenly in the village and soak in the waves. ——Su Shi of the Song Dynasty, "Traveling to Fuyunling Mountain to catch locusts, I am tired and pregnant with my son. Two poems by my younger brother. Part 2" It has been a long time since I was tired from walking in the mountains, but I am still able to dance drunkenly in the village and soak in the waves. The frosty wind is approaching the Double Ninth Festival, shining with the fragrance of wild chrysanthemums by the stream.
After a long journey in the abandoned mountains, I am still tired, but I am still able to dance drunkenly in the village and soak in the waves.
Sleeping alone in the forest has a good dream, but looking back on the world is full of sorrows.
After killing the horse and destroying the chariot, he passed away. Where did the son come from to ask about Xingzang. An analysis of travel notes and expressions of feelings
"Traveling to Fuyunling Mountain to catch locusts, I am tired and pregnant with my son, I leave my brother" *** There are two poems, and this is the second of them. This group of poems was written between August and September of 1074 (the seventh year of Xining), when Su Shi was about to leave Hangzhou and was appointed as the general magistrate. That year, Su Shi was thirty-nine years old. His younger brother Su Che (ziyou) was the secretary of Qizhou at that time and was in Jinan. "Xianchun Lin'an Chronicle": "Fuyunling is twenty-five miles south of Yuqian County." (Yuqian, a county in Zhejiang Province, is in the west of Lin'an, located on the tributary of Fenshui Port.) Su Shi served as the general magistrate of Hangzhou for three years In China, there are floods and droughts every year. It is said that "the prayer to stop the water does not last more than a month, and the drought comes again" ("Praying for Rain in Wushan"). In 1074, a locust plague broke out due to drought in the east of the capital, and "the aftermath spread to Huaihe and Zhejiang" ("Book of Disasters and Injuries by the Prime Minister of Shanghan"). Su Shi went into hiding while hunting locusts, so he wrote these two poems and sent them to Su Che to express his depression.
This song focuses on the feeling of exhaustion from hiking in the mountains. One or two sentences highlight the season and scenery. The Double Ninth Festival is approaching, and the wild chrysanthemums by the stream have bloomed with dazzling golden flowers. Three or four sentences of travel. Su Shi had not climbed mountains for a long time, and this time he came to Fuyun Ridge, a mountainous area with high rocks, to catch locusts. He felt exhausted. However, he was still in his prime, and his enthusiasm had not diminished. He still felt energetic after occasionally drinking a glass of village wine. These two sentences are based on physiological feelings. Five or six sentences express the feeling of staying in a mountain village overnight. At night, I stayed alone in a mountain village in the shade of trees. The fatigue of the day was temporarily forgotten. I suddenly felt unfazed and my dream was peaceful. However, this moment of leisure evoked many memories of the years of traveling in the next life: that time. The turmoil, the strife between parties, the hardships of his official career, and the hardships this huge locust plague has brought to the people. He ran around shouting and complaining, but he had no way to express his anger... All of this came to his heart. The poet expressed his feelings by summarizing it in five words: "The world is full of sorrows." These two sentences are then summarized in terms of psychological feelings. The whole poem has two ups and downs, with ups and downs of voice and emotion, effectively expressing the depressive mood, and naturally leading to the last two sentences.
The ending closely follows the meaning of "the world is full of sorrows and sorrows". Thinking of this situation where he was tired of running around and was like a slave, he said angrily: I really want to kill horses and chariots like Feng Liang. From then on Escape, as for the so-called practice of hiding with action, don’t worry about it anymore, and you don’t need to discuss it with me anymore! "Book of the Later Han·Zhou Xie Biography" records: A man named Feng Liang, thirty years old, was a county captain and was ordered to meet Shangguan. He was "ashamed of serving as a slave, because he destroyed his carriage, horse, and torn his clothes" and ran away to Jianwei. I went to study with a scholar named Du Fu. His family thought he was dead, and it was more than ten years before he returned to his hometown. Su Shi's use of this matter is also related to his fatigue and bad mood during the mountain trek. "If you use it, you will do it; if you leave it, you will hide it." This is the teaching of Confucius. In feudal society, some strict scholar-bureaucrats were always more serious about where they came from. Brother Su Shi also often talked about this issue. More than two years ago, Su Shi said in his poem "First Arrival in Hangzhou to Send a Child to Erjue": "The current situation is difficult to handle, and I am greedy for your kindness." He said that he was unwilling to follow the new law just because he was greedy for your kindness. Couldn't lead it away decisively. Shortly after catching the locusts, Su Shi sent Su Che a poem "Qin Yuan Chun" on the way from Hangzhou to Mizhou and said: "When I use the house to leave, my actions are hidden in me, so why not look around at leisure." He thought that becoming an official or going into seclusion. The initiative is completely in your own hands. At this time, the scale was tilted to that end due to the specific event of being tired from hunting locusts. This seems to be contradictory to the positive attitude of "Regarding the Locusts" at the end of the first poem in the series, but it is not. In Su Shi's mind, running for the interests of the people and being driven by others to pursue new laws are two completely different things. The endings of the two poems have different emphases.
When the "Wutai Poetry Case" mentioned the four lines of the poem "Sleeping Alone in the Forest", Su Shi himself explained: "It means that things such as young crops under the new law and assistants are too complicated to handle, and it also means that one's own talents are not up to the task." This is where Su Shi's pain lies. Wang Anshi's reform was a progress in history, but the new law itself did not solve the problems of farmers; coupled with certain deviations in the implementation of the new law, it brought disadvantages to farmers. Therefore, just because Su Shi was dissatisfied with the new law cannot be dismissed out of hand. These two poems reflect more of his sympathy for the people. Su Shi (1037-1101) was a writer, calligrapher, painter and gourmet in the Northern Song Dynasty. His courtesy name is Zizhan and his nickname is Dongpo Jushi. Han nationality, Sichuan native, buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). He had a bumpy official career throughout his life, but he was knowledgeable and talented. He was excellent in poetry, calligraphy and painting. His writing is unbridled, clear and fluent. Together with Ouyang Xiu, he is called Ou Su, and he is one of the "Eight Great Masters of the Tang and Song Dynasties". His poetry is fresh and vigorous, good at using exaggeration and metaphor, and his artistic expression is unique. He is also called Su Huang together with Huang Tingjian. He started a bold and unrestrained school and had a huge influence on later generations. Together with Xin Qiji, he was called Su Xin. He was good at calligraphy in running script and regular script. He could create his own ideas. His pen was rich and ups and downs, and he had an innocent taste. He was called Song Dynasty together with Huang Tingjian, Mi Fu and Cai Xiang. The four schools have the same painting studies and literature, advocate spiritual similarity in painting, and advocate "scholar painting". He is the author of "The Complete Works of Su Dongpo" and "Su Dongpo Yuefu".
Su Shi The orioles are singing in thousands of miles, the green is reflected in red, and the wine flags in the water villages and mountains are winding. It rises from the edge of Guyan Village and returns to the horizon. The shepherd boy returns and crosses the cow's back, playing the piccolo without any tune. At the foot of Ehu Mountain, the rice and rice are fat, and the pigs and chickens are perched with their doors half-covered. Thousands of valleys are filled with late music, and several peaks stand silently in the setting sun. Chongwu Mountain Village is good, but the durian flowers have suddenly become numerous. What I like most is when my child dies, lying down at the head of the stream and peeling lotus pods. The frost grass is full of green grass and insects, and there are no people walking to the south of the village or to the north of the village. The autumn wind blew into Jiangcun, it was dusk, and the lonely phoenix trees did not open their doors in the rainy night. What's the matter? I'm suddenly melancholy. The original trees on the village bridge look like my hometown. Yellow leaves cover the creek bridge, and the deserted village contains only ancient trees. When you are old and sad, you are strong and self-forgiving in autumn. When you are happy, you will be happy today. The ridges in front of the village and back are deep with mulberry trees, and the neighboring houses to the east and west do not interfere with each other. The tung blossoms are thousands of miles away on the Danshan Road, and the young phoenix is ??clearer than the old phoenix. The clouds were heavy on the huts in the West Village, and I was afraid that they would burn with them.