Appreciation of Yan Zhenqing's Ancient Poems in Regular Script
Pictures of Yan Zhenqing's ancient poems in regular script 1
Figure 2 of Yan Zhenqing's Regular Poems
Figure 3 of Yan Zhenqing's Regular Poems
Yan Zhenqing's ancient poems in regular script Figure 4
Yan Zhenqing's ancient poems in regular script Figure 5
Yan Zhenqing's ancient poems in regular script Figure 6
Yan Zhenqing's ancient poems in regular script Figure 7
Yan Zhenqing's ancient poems in regular script Figure 8
From fifty to sixty-five, the subtle realm of Yan-ti research ci can be said to be the experience of the second realm. In the process? Face? Both form and spirit are mature. In the meantime, his works include Jin Tianwang Temple's Inscription (758), Poem Inscription Table of Xiaoyaolou (758), Biography of Fairy Jade Leaving the Pile (762), Erase Biography (762), Yan Yunan's Inscription (762), Wei Zhenbei (763) and Zang. Xiaoyao building? Sanzi (770), Yin Monument (770), Zhang Monument (770), Love of Thorn Monument (770), Baoying Temple Altar Monument (77 1) and Magushan Fairy Temple Monument (770).
Experienced? An Shi rebellion? Turbulence, and the ensuing time and time again, made him expand the space of his mind again and again; Scholar? A soldier? Commander-in-Chief, Li Chao? Exotic? With the establishment of the dynasty, lifestyle changes frequently, life experiences are more, and artistic appreciation is deeper. These, Yan Zhenqing? A book? Will the previous one? Face? Repeatedly temper, refine shape, refine spirit, and make both spirit and shape mature. As you can see, he strengthened his wrist, moved the center, adopted the printing method, and moved the circle to the front line in Tibet, such as Yin Yinni. The strokes form the swallowtail of the silkworm head, while the straight drawing forms the shape of a crossbow. The contrast between strokes is complicated. Pinch the end of the hook, kick out the sharp edge and show off its spirit. His brushwork shows a tortuous rhythm. Its straight hook, flat hook and inclined hook are full of potential, with uniform curvature and strong roundness. Its folding pen is dark, forming an inclined plane to fold, for? Folding hairpin? Draw it. Structurally, it is dignified and steady, with a wide middle palace and dense shapes around it. It does not occupy the lateral advantage of the center of gravity, nor does it occupy the left and right advantages, but shows people with a symmetrical positive image like turning inside. On the white cloth, there are rows of words and dense lines, and the momentum is taken by shape, not by thinning.