There are many stone carvings written by Li. Among them, Wu Shishan Temple written by Jinyun, Zhejiang, Prajna written by Fuzhou, Shun Temple Monument written by Guilin, Guangxi, Yi Tingming written by Wuchang, Hubei, and Yan Weizhen Temple Monument written by xi, Shaanxi, etc. In particular, the book "The Former Melon" on the campus of No.12 Middle School in Wuhu, Anhui Province was written at the request of a friend during Li's tenure as county magistrate in dangtu county. This tablet is a seal script with a strong momentum and vigorous brushwork. In the Tang dynasty, it was scattered among the people. At the beginning of the Ming Dynasty, the King of Wuhu people got it in Dangtu City and passed it on to his secret home in Wuhu. In the fourth year of Jiajing in the Ming Dynasty (1525), the customs inspector of Wuhu moved from the Wang family to the Xiucai House, and wrote an inscription for him: "The seal is written by Qin, and the brushwork is beyond, and the theory is detailed." It is a collection of Wang in Wuhu, which was ruled by Tu County at the beginning of the founding of the People's Republic of China. It is elegant and healthy, outstanding and ancient. "It's a pity that this inscription tablet was destroyed in the turmoil of the Cultural Revolution, and the Thousand Gua Tablet still exists today." Three Tombs, carved in 767, the second year of Tang Dali. Written by He Li. Three Graves is Li's masterpiece. Li was the most successful seal script in the Tang Dynasty. It is called "iron line drawing". "The Three Graves Monument inherits the brilliant brushwork of Li Si's Yi Mountain Monument, winning with fine strength, with slender structure, thick and flat lines, consistent strokes from beginning to end, smooth and clean, and elegant.
The Qing Dynasty said, "Since the Qin and Han Dynasties, it has always been Li's first hand. Today's concept of "The Story of Three Graves" is characterized by a secret, and honesty is not easy to achieve. But I have seen Yang Bing's calligraphy after Lu Tanwei's "Golden Teng Tu", which is beyond the reach of stone carvings. " Qing Kang Youwei believed that The Story of Three Graves won with "thin strength". Mr. Wang Nanming, a contemporary calligrapher, once commented on Li's Xiao Zhuan: "The lines are like swaying weeping willows, or like a picture scroll, which is full of lyrical atmosphere and represents the literary style of the revival of Xiao Zhuan calligraphy in the Tang Dynasty." Inscriptions handed down from ancient times include the tablet of the Temple of the Saint and the City God, the name of Gan Gua, the name of Yi Ting, the title of Prajna, and the epitaph of Wu. , all reproduced by later generations. Li likes carving stones, and Yan Zhenqing asked him to carve words on books. His masterpieces include Three Tombs, Preface to Yi Ding Ming, Monument to the Temple of the City God, qian yao Gua, and New Notes on Sliding Platform. Among them, the brushwork of melon is particularly thin and healthy. In the Qing Dynasty, Wang Shu called it "Inscription and Postscript of Zhu Yun": "The pen is like a silkworm spinning silk, and the bones are as strong as cotton wrapped in iron."