Zhuang Chunming, a native of Ruzhou, Henan Province, is known as Haoyu, Ziyi and Xiyiju. Member of Beijing Dongcheng Youth Federation, graduated from China Calligraphy and Culture Research Institute of Capital Normal University with a master's degree. National advanced literary and art worker, member of China Calligraphers Association, deputy secretary-general of press and publication media committee of China Hard Pen Calligraphy Association, member of calligraphy art committee of China couplet society, member of China Calligraphers Association, and vice president of Beijing Sanxi Hall Art Institute.
His works were sent to former Japanese Prime Minister Yukio Hatoyama and other foreign dignitaries, collected by the people of China and the Chinese Embassy in Canada, published in Secretarial Work of the Central Office, and included in the Collection of Solemn Paintings and Calligraphy in Past Dynasties and the Collection of Masterpieces of Solemn Paintings and Calligraphy.
He once worked in Mingkai Publishing House, participated in the editing of the national book project "Selected Chinese Characters in Past Dynasties in China" and the drafting of the "Twelfth Five-Year Plan" book project "History of Ancient Material Culture and Calligraphy in China", and was the deputy editor-in-chief of the Chinese Synchronous Writing Course (1-6), and published the book "How to Understand a Word".
Zhuang Chunming's calligraphy was inspired by the "two kings" and began in Weibei. When I was a teenager, I was very interested in Twenty Classics of Longmen, yuanshi county County Records and Zhang Xuan's Epitaph.
Mr. Qi Gong's remarks about "seeing the pen through the blade" made him hold the calligraphy posts of "Two Kings", study them repeatedly, copy them one by one, and look for the Millennium calligraphy code. He lingered in Ou Yangxun, Li Yong, Su Shi, Mi Fei, Zhao Mengfu and Wang Duo. He repeatedly read and rubbed, pursued between films and posts, and realized the qualitative change and leap from "mixing" to "combining".