Calligraphy, like traditional Chinese painting, is a beautiful art unique to the East of the world. Its pointillism lines have infinite expressive power, and calligraphy works are the spiritual products of calligraphers. What I bring to you below is a 56-character ancient poem and calligraphy work. I hope you like it. Appreciation of 56-character ancient poetry and calligraphy works
56-character ancient poetry and calligraphy works 1_Yellow Crane Tower (Cui Hao)
56-character ancient poetry and calligraphy works 2 _Climbing the Phoenix Tower in Jinling (Li Bai)
56-character ancient poetry and calligraphy work 3_ Prime Minister of Shu (Du Fu)
56-character ancient poetry and calligraphy work 4_Climbing the Tower (Du Fu)
56-Character Ancient Poems and Calligraphy Works 5_Climbing Mount Lushan (Mao Zedong)
1. The beauty of calligraphy art
Any boring square Chinese characters will turn into smart and jumping under the calligrapher's pen of notes. Even today, there are still Chinese people who curse their ancestors for creating those complicated traditional Chinese characters, but after all, a considerable number of Chinese people have realized its vital importance to the art of Chinese calligraphy. Chinese brushes are like magic bottles. All boring Chinese characters will turn into charming artistic rainbows after its transformation. A poor calligrapher's works are poor not only because they have no ideas, but also because they are too manipulative and rigid. When evaluating the works of calligraphers, many people tend to follow others' opinions and follow the trend of the situation, blindly praising and awarding them, which can't help but surprise those who are masters of calligraphy. People often say that they don’t understand calligraphy, they don’t appreciate calligraphy, they are calligraphy laymen. As everyone knows, the chaotic emotion attracted by calligraphy is the most simple and sincere understanding of the beauty of calligraphy.
The creative process of a calligrapher is the beautiful season when his emotions bloom into colorful clusters of flowers. Although that season was mostly in a claustrophobic study. If the elegant white clouds suddenly grew eggplants and donkey meat, their beauty would be greatly reduced. Calligraphers need the purity of their souls during the creative process. Once the impurities of reality are involved in the creative process, the realm of the work will be suffocated. The first thing a real calligrapher shows to the world is not his intelligence and wisdom, but his willfulness and carelessness. It should not be said that people who have no feeling for the art of calligraphy are the same. But what can be asserted is that those who only focus on practical interests and delicious food must be involved in vulgarity. The market economy has provided urgent conditions and environments for many calligraphers, masters and leaders who are eager to become famous and gain both fame and fortune. Only true calligraphers value the temperamental connotations of internal strength and external calligraphy skills. Speculators in calligraphy only have the skills to impress others. Yan Yuan has no successor in the world. If there really is a person like Yan Yuan in the world, he will never become a calligrapher because he has no willfulness in his bones.
People say that calligraphy is a small skill. This shows how insignificant the calligraphers who master this small skill are. From a historical perspective, Huang Tingjian is not considered the top calligrapher. There are other recognized calligraphers like Wang, Su, Yan, etc. above him. However, one of his works (this summer) sold for a sky-high price, more than 400 million. faint. Incredible. There has been no shortage of calligraphy talents from generation to generation. But there was only one Emperor Taizong of the Tang Dynasty. Traditional Kung Fu is the cornerstone of success for all true calligraphy artists. But not all calligraphers with this skill are recognized by people at the time. The impetuous world will inevitably create many calligraphy hooligans who deceive the world and steal their reputation without realizing that they are extremely impetuous. Nowadays, it is common to find calligraphy masters and masters who have become extremely popular overnight. In sharp contrast to this, many people's understanding of calligraphy is blank and ignorant. Business planning and operation are common conditions for all fast-growing calligraphers today. Most of the calligraphers who have the Mi Fu stone worship complex are poor. This is because they only think about money and rice when they are hungry and in distress. Sow and reap. Calligraphers who are obsessed with calligraphy will sooner or later gain the true meaning of calligraphy, while fake calligraphers who want to make money from calligraphy will not go hungry in the end. All true calligraphers are spiritual albatross. Only real snobs can argue between the value and price of a book. The businessman sees the value of the calligraphy, but the understanding person is concerned about the fate of the calligrapher. Silent creation alone in an elegant environment is the basic state of a calligrapher. Any noise, vulgarity, excitement, or even solemnity will dilute the sincerity of the calligrapher.
2. The beauty of calligraphy
The beauty of calligraphy is similar to the beauty of music, drama, and dance in that it lies in the use of dots, between words, and between lines. The lines and the whole work are full of melody, rhythm and poetic interest. As far as calligraphy works are concerned, the clever use of the priority of strokes, changes in the size of the glyphs, the structure of the glyphs, width, opening and closing, expansion and contraction, uprightness, and natural connections can all make the whole work feel natural. The rhythm of the brushstrokes allows the appreciator to enjoy the beauty.