Li Shimin: Li Shimin (599-649), calligrapher of the Tang Dynasty. Good at calligraphy, official script, calligraphy and cursive script. In Song Dynasty, Chen Si's "Letters and Slips" said: "(Taizong) seized two kings. You are good at ancient posts, almost realistic. "He widely collected Wang Youjun's works and personally wrote the Book of Jin, a biography of Wang Xizhi. There are running script works "Jinci Ming" and "Wenquan Ming" handed down from ancient times.
Tang Taizong also studied calligraphy intensively, and after training, he wrote books such as Calligraphy and Yi. Taste the princes and say, "Learning books is not an urgent task at the beginning, so it is prudent to abandon your grandson. Those who have not learned all kinds of arts. I'm tired of being lazy and can't concentrate on listening to music. " He also said, "I am in the book of the ancients, not learning their feelings, but learning their strength."
The emperor's good book
The feudal emperors were good at books and paintings, which was a prominent phenomenon in ancient China. Li Shimin, Emperor Taizong of Tang Dynasty, is one of the representatives with the highest achievements. Calligraphy, painting and other traditional cultural qualities have played a positive role in his self-cultivation and governance.
In 627, Li Shimin ascended the throne and adopted a series of enlightened policies to enrich the people and strengthen the country, which is called "Zhenguan rule" in history. At the same time of domestic political stability and economic prosperity, Li Shimin attached great importance to the development of culture and art, and he had a special interest in calligraphy. In addition to studying and studying in person, he also used political power to promote it. During the reign of Emperor Taizong, a book judge, a calligraphy school and a doctor of calligraphy were established. Therefore, the prosperity of calligraphy in the Tang Dynasty became an important stage in the development of calligraphy in China, which had a great influence on the development of calligraphy in later generations.
Statue of Li Shimin
Since Yu Shinan, Tang Taizong's calligraphy has gained the charm of Wang Xizhi, and all his works are exquisite, especially his calligraphy. His brushwork is vigorous and powerful, which is cherished by the world. His running scripts "Jinci Ming" and "Wenquan Ming" are handy, light and natural, and they are new to the monument. Emperor Taizong's calligraphy had a great influence at that time, and people wanted his words very much. On one occasion, Emperor Taizong hosted a banquet in Xuanwu Gate to entertain officials with more than three products. After drinking, the book was full of books, and he made a flying white book. When he was drunk, all the ministers tried to steal his handwriting. As a result, Liu Yue, a formal servant, rode on the imperial bed one step ahead of schedule and got the handwriting, but he woke up Emperor Taizong. The courtiers who didn't get the records of Emperor Taizong demanded that Emperor Taizong punish Liu Yue. Emperor Taizong said with a smile, "I used to listen to Jieyu's words, but now I see a courtier boarding the bed." I survived Liu Yue's crime.
Kua Wang Shu
Emperor Taizong was clever and different from English, with little ambition, extensive knowledge and both civil and military skills. He is a monarch who runs the country. His calligraphy is also quite famous, ranking first among emperors in past dynasties. Emperor Taizong especially loved Wang Xizhi's calligraphy. He was one of the most important inheritors of Wang Xue's calligraphy and initiated a generation's worship of Wang. The reason why Wang Xizhi's calligraphy enjoys a high reputation in China is not only his own calligraphy achievements, but also closely related to the promotion and advocacy of Emperor Taizong.
Under the influence of his father and the guidance of Yu Shinan, Emperor Taizong joined the Wangshu School. He was so absorbed in studying Wang's calligraphy that he couldn't help it. Tang Taizong studied ancient calligraphy, not taking its method, but seeking its strength, giving priority to meaning and taking its spirit. So he learned Wang Xizhi's calligraphy. His famous running script "Jinci Ming" is very similar to Wang Xizhi's book, which is 25 years earlier than "Collection of Kings". It is really amazing.
In order to make Wang Xizhi's calligraphy widely circulated, Emperor Taizong, who loved Wang Shu, ordered the collection of authentic Wang Shu in the world. At that time, up and down response, gang up and attack. Emperor Taizong collected authentic Wang Shu, and asked Yu Shinan, Chu Suiliang and others to identify the authenticity. Since then, he has selected more than 2,200 pieces, bound them into volumes and kept them in the Hong Wen Pavilion. He also ordered Yu Shinan and others to carve stones and distribute rubbings for the ministers of civil and military affairs to learn. As a result, Wang Xizhi's calligraphy has become a national orthodoxy and is popular all over the world. Emperor Taizong also personally wrote a biography of Wang Xizhi for the Book of Jin. In his biography, he spoke highly of Wang Xizhi's calligraphy: "Therefore, Wang Yi is the only one who studies the ancient and modern times in detail and refines the elements of seal script."
General Electric Xu Run Company
Li Shimin, Emperor Taizong, loved calligraphy all his life. In addition to practicing calligraphy diligently and copying carefully, he also advocated political power. Under his influence and drive, in the Tang Dynasty, learning calligraphy became a common practice, which formed a famous calligraphy prosperity in the history of China and became a good social fashion.
Emperor Taizong studied calligraphy from Yu Shinan. Somehow, he can't write the word "ge" well. Once, when he wrote "Jane", his heart moved and he asked Yu Shinan to write it out and show it. Wei Zhi said with a smile: "Only Gao Peng wrote this word like Yu Shinan." Emperor Taizong was very ashamed after hearing this, but he could not help secretly admiring Yu Shinan's brushwork and Wei Zhi's eyesight. From then on, he consulted Yu Shinan more modestly, practiced harder, copied the day at night, and kept up the cold and heat, and finally learned the brushwork of the word "Ge". Later, in Calligraphy Tactics, he talked about his experience in learning Ge's brushwork and said, "You must polish Ge, and take care of him more in the future." In other words, when writing a blog, your gestures must be round, powerful, expensive, late and astringent, and you must not be slippery. You must look around. It can't be too short, too long, too straight or too curved. It should be flexible, coordinated left and right, suitable for beauty, just like archery.
Zhi qu LAN ting
Preface to Lanting is a preface written by Wang Xizhi for Preface to Lanting. The preface itself has sincere feelings and magnificent words; Calligraphy, on the other hand, is a free dance and dancing, ancient and elegant, so it is known as the masterpiece of articles and calligraphy.
According to legend, the preface to Lanting Collection was collected by Sun Zhiyong, the seventh generation of Wang Xizhi in Sui Dynasty, and passed on to his disciples after his death. In the Tang Dynasty, Emperor Taizong, who was very fond of Wang Xizhi's calligraphy, collected a large number of original works of Wang Xizhi's calligraphy, and then asked Ou Yangxun and Chu Suiliang, the ministers of calligraphy, to copy them and bind them into a book as a model for the bachelor's study in Hong Wen Pavilion. When Emperor Taizong learned that the original Preface to the Lanting Pavilion had not been found, he immediately sent Xiao Yi, an imperial adviser, to find an eloquent monk.
Xiao Yi knew that Wang Xizhi's Preface to the Lanting Pavilion was priceless. If you ask directly, eloquence will definitely not be handed in. So, he thought of a way. He took the initiative to make friends with the debater first, and often talked with him about poetry and calligraphy, without mentioning the request for the original work of Lanting Preface. One day, they talked about calligraphy very enthusiastically, from Lisi to Wang Xizhi, from seal script to running script, and talked very speculatively. At this time, Xiao Yi took out a book "Preface to Lanting" from his sleeve and showed it to the debater. The debater looked at it and said, "This is an imitation, which is worthless. I have the original preface to Lanting Collection. " When he said this, he asked people to take out the sealed original "Lanting Preface" from the gap in the inner wall and proudly said, "Are you feasting your eyes?" Seeing that the time had come, Xiao Yi quickly took out the imperial book Preface to Lanting from Taizong's arms. When the eloquence was confused, I realized that I had been taken in by Xiao Yi. But there is no way, so we have to let Xiao Yi take the original "Preface to Lanting".
Emperor Taizong was very happy to get the original preface to Lanting Collection, and regarded it as a treasure. He asked the ministers of calligraphy to copy the preface for scholars to learn. Since then, the copying of Preface to Lanting has been welcomed by people, and more and more people are learning Wang Xizhi's calligraphy. Emperor Taizong made an indelible contribution to advocating and publicizing Wang Xizhi's calligraphy, but after his death, he took the original Preface to Lanting as a funerary object, so that the Preface to Lanting that we see now can only be a copy of the Tang Dynasty.
"Jinci Ming" Emperor Taizong Li Shimin