About 20 15, occasionally get a seal, seal "handy". "Meng Qian Bi Tan" says: "Draw a picture of Yuan lying in the snow in the house for Sister Mo. There are bananas in the snow, so you can do it if you want. Therefore, it is providence to manage people. " It can be used as a rest chapter and put aside.
It was the Spring Festival of 20 19, and I bought a seal on the Internet, saying that Shoushan Stone would protect me in my old age, and the photos were very old-fashioned. After getting it, I was cheated to pay the tuition. (See my essay "Pick and Identify Printing (4)"
So I thought of this. The stone is Shoushan, and it is buckled. Look at the border paragraph carefully: Do you take Wu Jia and the Han Dynasty tablets in autumn as this mark? Komatsu.
Komatsu! Also known as "Ding Huang" with Ding Jing. Coincidentally, it was Ding Jing who was cheated and signed "Stay".
Huang Yi (1744- 1802), a native of Zhejiang and (now Hangzhou, Zhejiang), was named Komatsu,No. Qiu 'an, No.,a disciple of Lianzong,No. Tan. Seal engravers and calligraphers in Qing Dynasty.
He studied with Ding Jing, who was collectively called "Ding Huang School". As one of the eight schools of Xiling, people generally used to call Ding Jing, Jiang Ren, Huang Yi and Xigang the Four Great Schools. Seal cutting is more innovative than Ding Jing, and there is a saying that "Jiang people are clumsy and Huang Yi Qiao". His "Be careful with the ink and play with the knife boldly" won a middle ignorance. He is the author of Stone Carvings of Little Penglai Pavilion and Main Seal of Qiuying Temple. Calligraphy is the most refined official script, which is quaint with Zhong Ding method.
The Sino-Japanese War of 1894-1895, between Huang Yi's life and death, can only be 1774. At this time, Huang Yi (Komatsu) is 30 years old.
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The spread and influence of the early rubbings of the Sangong Mountain Monument in the Eastern Han Dynasty
Mulberry wrote it.
Located in Yuanshi County, Hebei Province, the Eastern Han Dynasty Monument to the Sangong Mountain is a kind of seal script inscription that has great influence on later generations. According to the relevant inscriptions in Huang Yi's "Little Penglai Pavilion Inscription", this monument was visited by Wang Zhiqi, then the magistrate of Yuanshi County, in the thirty-ninth year of Qianlong (1774). However, if we look up the column of "List of Successive County Orders" in Tongzhi Yuanshi County, it is recorded that Wang Zhiqi served as the county order of Yuanshi County for 42 years (1777), which is three years different from the time when Huang Yi said that the tablet was awarded. Huang Yi himself seems to have two different versions of the story of this stone tablet unearthed. He said in "Inscription and Postscript of Autumn Cup": "When I was in Nangong, I sent a book to Yang to expand the engraving of yuanshi county County, which made the ancient seal monument pass through and polished. Fine identification is a seal script dedicated to Sangong Mountain in the Han Dynasty ... This tablet has been placed in the wild for a long time, and it has not been recorded by predecessors, which may lead to annihilation. I was annoyed that Yuanshi County ordered Wang Jun to be moved to Longhua Temple in the city, and put it in one place with the Bai Han stone tablet, so as to write a picture of "Keeping the Ancient Map" for Wang Jun.. One of the Twelve Maps of Monuments is the Map of the Three Mountains Monuments. It has Huang Yi's preface, which is similar to "Autumn Sail Inscription". In addition, there is a famous seal in Huang Yi, "The Stone Obtained by Komatsu", which was carved to commemorate the visit to the Sangong Mountain Monument. The side section said: "When Wu Jiaqiu was in Qianlong, Yuanshi County dedicated the Sangong Mountain Monument. It belongs to the relocation of Longhua Temple in Wang Mingfu to make this seal. " Judging from the tone of writing, it is obviously regarded as a personal interview. Based on the above materials, the author thinks that the process of seizing the monument, which is closer to the historical truth, is likely to be like this: In the thirty-ninth year of Qianlong, Huang Yi entrusted his friend Yang Hezhou to visit this monument in Yuanshi County. Yang sent the rubbings for textual research. Forty-two years after Qianlong, that is, three years later, Wang Zhiqi became the magistrate of Yuanshi County, and Huang Yi instructed him to move the stone tablet back to the city and store it with the old white stone tablet for the emperor. Because Huang Yi himself was a guest of Nangong at that time, and Wang Zhiqi was a local official of Yuanshi County, who actually presided over the movement of the stone tablet, it seemed reasonable to humble the discovery right of the stone tablet to the latter. However, in the relatively private inscriptions and seals, Huang Yi lost this scruple, and naturally regarded the discovery of this monument as a great achievement for him to personally go to the monument. In addition, this is the first important Han tablet that Huang Yi has visited so far.
The main part of the paper is about the spread of the rubbings of "Sacrificing the San Gong Mountain Monument" and the dialectic of various explanations. Huang Yi was a key figure in the early spread of rubbings. Most of the manuscripts used for textual research and interpretation in early schools were directly or indirectly from Huang Yi's gifts. At that time, there were not many stone carvings unearthed in the Han Dynasty, so once a complete stone carving of nearly 200 words, such as "A Monument to Sangong Mountain", was unearthed, it attracted the attention of calligraphy and seal cutting circles. Deng was the first calligrapher to introduce the Three Monuments into his creative practice. Since Deng, many famous calligraphers and seal engravers have studied this monument in later generations, among which Qi Baishi is the most influential. In the early years of the Republic of China, a large number of reference books with the nature of inscriptions were published by publishing institutions such as Yiyuan Shang Zhen Society, You Zheng Bookstore and Zhonghua Book Company, which had a wide influence. For example, in the seventh year of the Republic of China, Qin, the version of Shanghai Art Garden, compiled a set of "Liantuo Grand View", among which "Hans Sangong Mountain North" was one of them. This book is divided into five words, six words, seven words, eight words, 50 couplets and 100 sentences according to the rubbings. During the period of the Republic of China, the calligraphy of "Lin Ti San Gong Shan Bei" created by Qi Baishi, Lai Chusheng and many other calligraphers is extracted here. The publication and popularization of this kind of reference books, on the one hand, facilitates calligraphers' creation, saves them the trouble of writing sentences and arranging font structure themselves, and greatly facilitates general entertainment. On the other hand, in the process of extracting inscriptions, publishing houses often do some technical processing. Compared with the rubbings, not only the glyphs are reduced, but also the strokes are supplemented. In short, there is a clear gap with the original flat font. In addition, due to the limitation of editing level, there are also interpretation errors. What influence did these reference books published in the Republic of China have on the creation of couplets calligraphy at that time? This is an interesting topic and worth further discussion.
(Author: Zhejiang Museum Painting and Calligraphy Department E-mail: sang _ shen 1@sina.com)
Goodbye, Buddha.
Li Kui jy is here, and Gui Li is in the sky. Although I didn't pay the tuition, I learned a lot when I got the Gui Li.