"The heart is chic and the ink is flying, the desert is clear, the dust is eliminated and the customs are treated, from knowing my way to subtlety." This is an impromptu poem written by Pu Hua, a painter in the late Qing Dynasty, in his Zhu Mo book Wen Su Yu Yun. The natural and unrestrained mind and dripping ink are the characteristics of Pu Huawei's artificial art.
Pu Hua (1832-1911), whose real name is Cheng, was born in Jiaxing, Zhejiang. When he was a child, he taught himself hard, painted and wrote poems, and lived in Shanghai to sell paintings for a living. In his early years, Jiang Tingxi learned flowers and was smart and free. After learning Xu Wei, Xi Shi, Shi Tao and Shan Li, he was addicted to brushwork. It is natural to write about landscapes and misty rain in Xiaoxiang. Flower ink bamboo, especially long, often wet and straight, gorgeous and vigorous. Calligraphy is the post-school of Zhang Xu and Huai Su. He once said: "Those who learn big grass will gain something if they stick to pavilions and eat vegetarian food with wisdom." Calligraphy put pen to paper inadvertently, and its beauty lies in autumn. It really alternates with grass, with a strange rise. Author of "Furong An Zun Yu Cao".
Pu Hua's bamboo writing is the most unique. The author Mo Zhutu said: "I am afraid that the scales will turn into dragons in the stormy night in the South Garden, Pu Hua." In the lower part of this painting, the boulder is covered with moss, and the pen and ink are concise, and the small bamboo is light and beautiful in one go. A bamboo pole was written in light ink on the stone, leaning to the right, with thick and light bamboo leaves in the middle, overlapping and strewn at random, and the brushwork was freehand. As Mr. Chang Shuo commented: "The ink is dripping, the bamboo leaves are like palms, and the rustling is like a high wind. When you listen, you can think about it ... "
Pu Hua's landscape painting is also vast and desolate, with a grand view. Antique landscape map (see picture), colored paper book, length 142 cm, width 37.5 cm, the book reads: "Walk on the green rock, make friends with pine branches, imitate a big idiot and be an Englishman." Zhong Bai printed the word "Pu". Below this painting, the slopes on the left and right sides are thickly rubbed, covered with thick moss and covered with huge pine trees. Ochre color is less, strong and straight, magnificent, pine needles are broad and clumsy, rather like stone, pine branches are oblique and oblique, like a whisper. In the shade of a pine tree, there are two rafters in the room, and a noble scholar just sits and listens to Songtao. Above, the huge stones stand tall, majestic and steep, and the rocks are carved, which is based on the meaning of calligraphy. Both the front side and the back side are used, the rubbing method is consistent, the depth is alternating, and the moss spots are eye-catching. It can be said that the pen is simple, the ink is light, and the meaning is far!
Pu Hua's residence reads "Nine Qin and Ten Yan Zhai", which shows that there are many Yan Zhai in Qin Dynasty, and Pu Hua left an inkstone. The author only saw that the rubbings said, "Dig twenty feet and make a tile for two thousand years. It's seven thousand miles from Shaanxi to Zhejiang, and Wadang takes this as the research field. Immortality is infinite, so the name is immortal. Make an English inscription and engrave it in a distant pavilion. " The author also has a Puhuaming inkstone, which is made of stone and covered with mahogany. The cover is 20.3cm long and14cm wide. The inscription reads: "I don't know when to ask the year, but I know that it was in Mae, Duan Xi, and I occasionally went out to a small cave in the Western Heaven to make friends with calligraphy and painting, and there was a cloud." Make an English inscription and carve it in a distant pavilion. "The inscription is meaningful and the book is well carved. Who is the only sculptor "Yuan Ting"? Take the exam later!