At the beginning of his studies in Ma Shida, he made slow progress because of lack of guidance. After that, before he entered this country, he was deeply enlightened by the nobles of Wumen, especially Mr. Shaman Weng and Mr. Song. 1In March, 983, his seal-cutting works such as Quiet, Zhu Shi Wandering Stones, Wandering Abroad, Falling Leaves Back to Roots won the first prize in the first national collection competition held by Calligraphy magazine, and were employed by Mr. Wei Tianchi, a famous Mongolian calligrapher. 1February, 987 transferred to the Fine Arts Department of Nanjing Normal University to teach. He is currently a member of China Calligraphers Association, director of Jiangsu Calligraphy Association, member of Xiling Printing Society and member of Canglang Bookstore. Calligraphy seal cutting works have participated in large-scale art exhibitions at home and abroad for many times, and won the "Excellent Works Award" of the National Young and Middle-aged Book Fair, the "National Award" of the National Book Fair, the "Excellent Works Award" of the Seventh International Calligraphy Exhibition of Japan's Sankei Shimbun, and the "Second Prize" of the cross-strait joint exhibition of famous calligraphy and painting works. Professional magazines such as Calligraphy, China Calligraphy and Calligraphy Literature have made special presentations on it. Jiefang Daily, Xinhua Daily, Jiangsu TV Station and Jiangsu People's Broadcasting Station also reported. Calligraphy and seal cutting works have been published or reprinted many times. Other books have been collected by Zhongnanhai and related museums for many times.
In seal cutting, I am fascinated by the innovative road of "printing Qin and Han Dynasties" and "printing from books". Most of them take the seal script tail as the body, and the grass is vertical. The seal script is rigorous and there is no lack of strangeness. It is vigorous with a knife and belongs to nature. The seal style is vigorous and fair, which can be seen in the coarse clothes. The famous critic Xin Chen's article "The Way of Printing" is regarded as the style orientation of "Confucianism-Taoism" mode, while Wang Yong's "Taoism-Zen" mode and Shi Kai's "Zen" mode are regarded as the most typical representative styles among young and middle-aged seal engravers. His calligraphy is mainly running script and official script, and the running script is arbitrary with a pen. He is rich in grass, strange in speech and dangerous in attitude. His brushwork is slightly unconventional, with a different understanding and style. Being an official means being Gu Zhuo, simple and honest, and getting a natural and ancient appearance. However, his books are forbidden to be sweet and vulgar, so it seems that he lacks some "floating names" and "enjoying music". He said to himself, "my book is not noble, but it is not weak and mediocre." When I see that my inner joy and sincerity do not violate the saying of' heart painting', masturbation is enough. "