Haizhou is a famous county in the East China Sea, with rivers flowing into it, mountains and rivers covered and land and water transportation. It is an important town in the north and south, and it has been a treasure trove of outstanding people since ancient times. Haizhou is full of humanities. Since ancient times, literati have met in Haizhou, and its historical sites are very rich. The "Two Carvings in Haizhou (Rock Paintings of Jiangjun Cliff and Cliff Statue of Kongwang Mountain)" and the Western Han Dynasty boundary tablet in Yangwotou are even more famous in the sea. Ding Bao, a native of Haizhou, benefited from the rich cultural environment and studied calligraphy and local chronicles with his grandfather since childhood. Influenced by family study, Ding Baojie made a wide range of friends and visited famous teachers. When he was weak, he began to learn guqin from Guo Guan, a famous pianist and scholar. Ding Bao likes this piano so much that she can't put it down all day. He would rather eat without food than live without food. Ding Bao plays the piano less for people. Ding Bao often said, "Singing those old songs that nobody cares about". Its style, which sounds great, ancient and pale, is out of step with the noise of the times. Guqin, as the "Taoist instrument" of China's traditional philosophy, has several stunts in contemporary times. No wonder Ding Bao is lonely. In recent years, Ding Baoshi became a disciple of Lao Lu from Lu Xun, a famous scholar, art theorist, painter and poet. Lu Lao's rigorous scholarship emphasizes that artists should have various accomplishments, which is of great benefit to Ding Bao's artistic creation. Ding Bao is very concerned about the purity of art, and he thinks that art cannot be associated with money and politics. This kind of pure artistic independent thought is especially rare in this impetuous and materialistic era. Mr. Lu Xun and Mr. Zeng Shudan commented that "Art for Art's sake" is a passionate young man. Ding Bao has his own unique views on calligraphy seal cutting: there is no self in the book, and there is no post (monument) in creation; Look up at the sky with hints; He put calligraphy in the position of pure art, aiming to stimulate artistic impulse in his heart, which is exactly the same as the origin of calligraphy and seal cutting. The ancestors conveyed the most primitive artistic expression of life in rock paintings. Ding Bao enlightened the essence of art with the simple method of primitive description, got rid of the mystery of art and formed his brand-new calligraphy and seal cutting creation system. Based on this creative idea, Ding Bao devoted himself to the study of China's calligraphy, seal cutting theory, traditional pen and ink and knife techniques, and absorbed the essence of stone carving art such as the cliff painting of his hometown and the cliff statue of Kongwangshan, and incorporated it into the modern seal cutting composition, without making a concrete description of the image, with the intention of directly expressing the spirit between similarity and dissimilarity. On the printing surface, the traces of time and the natural erosion of chemicals are ingeniously combined, and the vast and quaint atmosphere is coming. Ding Bao Xiaoxing seals Buddha statues, which communicate the soul between the stone carvings of Han Dynasty (mainly the cliff carvings of Kongwangshan in the Eastern Han Dynasty) and China's seal cutting techniques, and become the latest interpretation of the contemporary language of calligraphy seal cutting. Since Ding Baocheng became an artist, "Mo Chi stepped into darkness, and his works became increasingly heavy, realizing his creative ideal of calligraphy and seal cutting. Confucianism, Buddhism and Taoism are Ding Bao's interests, and all kinds of characters have become Ding Bao's creative symbols. Under the influence of Mr. Lu Xun, a mentor, Ding Bao took this belief as a strong pillar for climbing the artistic peak. " Go in and out of Liuhe, visit Kyushu, and go alone. Unique people are the most expensive. "Ding Bao wandered between philosophers with his piety and persistence in art, and between knife and pen with detachment and wisdom. For Ding Bao, his artistic path has just begun, and everything is full of vitality and towering upward. He once admitted that in the cold food night dream in 2008, he went to Duanliantang to learn from Li Laoshi and had close contact with the late famous artists. This is the embodiment of his unique artistic thought and genius's artistic perception ability. His spirit is eternal, which is also the goal pursued by Ding Bao, so he constantly interprets the perfect realm and immortal charm of his artistic creation! Geng Yin went to Beijing in August.