Spring is gone, the flowers have not faded, and the moon will not be covered by clouds when there is no wind.
Collected couplets from "Han Lu Jun Monument":
Spring returns and the flowers never fall
The wind is calm and the moon shines bright
With all my heart The Chinese affairs will be gone in spring
A leisurely trip and return in the full moon
Hanlu Jun Monument
Summary: The monument is in Jining, Shandong. This monument was broken when it was first discovered. , the unbroken one should be the Song Tuo, but unfortunately it has not been passed down. This is an earlier rubbing. The word "武" in the fifteenth line of Yunwen Yunwu still exists.
31×17.5cm
The full name of this stele is "Stele of Lu Jun, the Lieutenant of the Han Dynasty, Zhonghui Gong", also known as "Lu Jun Stele, the Lieutenant of the Han Dynasty, Zhonghui Gong" and "Lu Zhonghui Stele" . It was established in April of the third year of Xiping in the Eastern Han Dynasty (173). 17 lines, 32 words per line. In Jining City, Shandong Province. The owner of the stele, Lu Jun, whose courtesy name was Zhongyan, was a native of Changyi, Shanyang (so it was located forty miles northwest of Jinxiang County, Shandong Province). From the official level, he was promoted to Sili Xiaowei and Tunqi Xiaowei. He died in his residence in the first year of Xiping at the age of sixty-two. In April of the following year, 320 disciples, former officials, including Yu Shang and Ma Yin, set up monuments in his honor. The stele was originally located at the tomb of Lu Jun in the south of Jiao family in Jinxiang. According to Dai Yanzhi's "History of the West" quoted in "Shui Jing Zhu·Jishui", there is a stone temple in front of the tomb. The images of twelve people are carved in stone around the image, and the characters are clear..." This is a stone carving artwork similar to the Han portrait stone in Wuliang Temple, Jiaxiang, Shandong. The stele in front of the tomb was later moved to the Confucius Temple in Rencheng (now Jining). This stele is quite cluttered, and many of the characters are no longer legible. His calligraphy is vigorous, thick and plump, with a mixture of leisurely style and ancient elegance. The characters range from big to small, and the layout is lively and cute. The characters for "Bei Yang" and "Bei Yin" are different from those of the same name, while "Bei Yin" is simple and natural, with a lot of natural interest. Guo Zongchang of the Ming Dynasty said in his "History of Epigraphy and Stone" that his "calligraphy is sharp and elegant, the first in the Wei Dynasty, but it is naturally Han style." Wan Jing of the Qing Dynasty said: "The fonts are square and even, with Le brush, Zeng brush, Chao brush and pick brush. The origin is extremely plump and fat, and the Kaiyuan families are similar to it. "Yang Shoujing's "Ping Bei Ji" says: "It is plump and majestic, and Emperor Ming of the Tang Dynasty and Xu Jihai also came from this place. But the fatness is too thick, and there is no such charm." The insightful comments illustrate the influence of "Lu Jun Stele" on the calligraphy style of later generations. Song Zhengqiao's "Jin Shi Lue" contains superb calligraphy on this stele, so it is presumed that it was written by Cai Yong. This theory has no basis in fact. Doubts have been raised since Zhao Mingcheng's "Jin Shi Lu", and many later calligraphers and scholars relied on Zhao's theory.