The idiom Jin () Gu ()?

The idioms of tendon () and bone () are as follows:

1, broken bone [? shāng jīn dòng gǔ?

Interpretation: This refers to being seriously injured. After metaphor things suffered great damage.

Source: Yuan Anonymous's "Butterfly Dream" is the second fold: "It hurts the bones and hurts more."

2. Soft muscles and brittle bones [róu jīn Cuigǔ ψ]?

Interpretation: weakness of bones and muscles. Metaphor article is weak.

Source: The preface and anthology of Wang Junzi: "Scholars and literary companions, painting blue and white, organizing literary embroidery, are soft and crisp, and embellished, which is self-boasting."

3. Fatigue and pain [láo jρn kǔgǔ]?

Interpretation: refers to heavy labor, which makes bones and muscles tired and painful.

Source: Han Shu Wang Bao Chuan by Ban Gu in the Eastern Han Dynasty: "Therefore, the use of blunt objects is also exhausted."

4. steel bar? [gāng jīn tiīgǔ]?

Interpretation: bones and muscles are like steel casting. Describe strong body or strong will.

Source: Cao Yu's Half-Day Tour: "In a room with cushions and various weightlifting equipment, I met a group of young people with steel bars and iron bones."

5, the village tendons and common bones [cūn jīn sǔ? gǔ ]?

Interpretation: village: vulgar; Vulgar: vulgar. Describe the role as vulgar

Source: Ming Ming's "Su Jiu Yin Ben" is the fourth fold: "I don't understand what happened to his beauty, this is the end of the village."

6. Cramp and bone pulling [ch not u jιnbagǔ]?

Interpretation: It is not easy to pull out tendons and bones from animals. So cramping and pulling out bones means hard work on one level and reluctance on another.

7. Yan Gu?

Interpretation: Yan: Tang Dynasty calligrapher Yan Zhenqing; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty. Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.

Source: Song Zhongyan's Bachelor of Arts in Sacrificing Stones: "Man Qing's pen, Yan Gu."