Bao Junyi, 1955 1 1 was born in June, 2008 in Guiyang, Jiangsu Province. In June, he graduated from the History Department of Guizhou University, majoring in China History 1982. Currently, he is the vice chairman of China Calligraphers Association, director of the seal script committee of China Calligraphers Association, national first-class artist, member of Guizhou CPPCC, vice chairman of Guizhou Federation of Literary and Art Circles and chairman of Guizhou Calligraphers Association.
He has published many monographs such as Fengxiang Qianqi-Bao Junyi's Calligraphy Collection, Bao Junyi's Calligraphy in Chibi Fu, Bao Junyi's Calligraphy Seal Carving Collection, Duishan Collection, Bao Junyi's Volume, Bao Junyi's Calligraphy, Young and Middle-aged Calligraphers' Creation Archives, Xu Baoyu's Calligraphy Collection and Bao Junyi's Tang Poetry.
Chinese name: Bao Junyi
Alias: Han Zhi.
Nationality: China.
Ethnic group: Han nationality
Place of birth: Guiyang
Date of birth: 1955 1 1 month.
Occupation: seal cutting painter
Graduate school: Guizhou University
Main achievements: Member of China Calligraphers Association.
Representative works: Bao Junyi's Calligraphy and Seal Carving Collection, Pan, Guo, etc.
famous
1978 Guiyang Suzhou Painting and Calligraphy Exhibition.
198 1 won the first prize of "The First Calligraphy Competition for College Students".
In 2007, China modern famous calligrapher Bao Junyi was left to his hometown Taicang Archives by Mo Bao.
In the spring of 2009, Bao Junyi's Calligraphy, published by Guizhou People's Publishing House, came out and won unanimous praise from readers. Mr. Dai Mingxian, a calligrapher, poet and writer, prefaces "No Trace, No Road —— Excerpted from Bao Junyi's New Works". This book contains nearly 100 new works by Mr. Bao Junyi from 2007 to 2008.
2010 "2010 Archives of Contemporary Young and Middle-aged Calligraphers: Bao Junyi" was published.
20 1 1 Bao Junyi, a famous calligrapher, went to Weng 'an County to give a calligraphy lecture.
20 1 1 Bao Junyi The 3rd China Character Development Forum held the opening ceremony of Oracle Bone Inscriptions School and the nomination of famous seal writers.
20 12 Bao Junyi, Chairman of Provincial Calligraphers Association, came to give a calligraphy lecture along the river.
Role play
20 15 12.8, served as the seventh vice chairman of China calligraphers association.
Related comments
Jane, Thick, Strange and Beautiful —— On Mr. Bao Junyi's Calligraphy Art
Mr. Bao Junyi is the chairman of Guizhou Calligraphers Association, and he is also a calligrapher I have always paid attention to and admired. Many years ago, when I was an undergraduate in Guizhou University, I heard the name of Mr. Bao. His seal script is tall and powerful, which left a deep impression on me. And I also learned that Mr. Bao Junyi also graduated from Guizhou University and is an outstanding alumnus of your school. In his early years, he studied under Mr. An, a Confucian in central Guizhou, and Professor Jiang Clarification of Guizhou University. In the early 1980s, he won the first prize of the first national college students' calligraphy competition, which won a rare honor for the calligraphy circle in Guizhou. In the early 1980s, the national college students' calligraphy competition was all the rage, and many award-winning calligraphers became famous in one fell swoop. In the national first prize list, Guizhou monopolized two yuan, one was Mr. Bao Junyi and the other was Mr. Bao Xianlun who later returned to Zhejiang. After decades of romantic experiences, the names of Mr. Bao and Mr. Bao have echoed in the national book circles, and they have also become the chairmen of the book associations in Guizhou and Zhejiang provinces respectively, which is really a much-told story in the art world.
In Mr. Bao Junyi's calligraphy art, the first thing worth mentioning is his seal script, which is influenced by Mr. Chen Heng 'an. When he was young, he worked hard. In all kinds of exhibitions of contemporary calligraphy, we can see the lush grass all the way, but Oracle Bone Inscriptions in He Miaomiao, Guhoupu, is rarely visited. It is inevitable that times are changing, but calligraphy is smart and charming, and it is not a blessing to pour ideas into ancient methods. In Qing Dynasty, Qian Yong took seal script as his ancestral blood, and all his paintings were reasonable. The significance of seal script to calligraphy is the Confucian Six Classics. If we don't start from this point, we will be afraid of the traditional guild hall. At this point, we can see that Mr. Bao is rarely awake. Moreover, Mr. Bao Junyi's seal script pays special attention to writing and line refining. He wrote "Three Dishes of Stone" and "Lucky Fruit", which are handy, Gu Zhuo's pen and ink, but clever. At the same time, they are calm, dense and sometimes interesting. In his early years, Mr. Bao Junyi studied inscriptions on bronze in combination with the system of ancient philology, which broke through the limitations of studying seal script at that time, surpassed Qin Zhuan to climb the inscriptions on bronze in Shang and Zhou Dynasties and pursued vastness and antiquity. His seal script began to dabble in folk calligraphy, such as Chu bamboo calligraphy and silk calligraphy, trying to find new modeling resources in it, and his calligraphy style was more wonderful than that of ancient times. In my opinion, a prominent phenomenon in the exploration of modern and contemporary calligraphy is to treat calligraphy as a conscious pure plastic art, and there are two trends to pay attention to the exploration of plastic consciousness. One is to get a modeling inspiration from western modern art, and the other is to find modeling resources from the oldest characters in China. Mr. Bao Junyi has taken such a road of tracing the source of ancient Chinese characters, which has a very broad prospect and needs more artists to make greater explorations in this respect. Mr. Bao Junyi's exploration is in progress, but one thing is certain. Mr. Bao Junyi's exploration has not given up the honest and mellow character of traditional literati calligraphy, and there is still a huge difference from the so-called "popular calligraphy style" which also uses French bamboo slips, silk books and other folk resources. This is very valuable.
In addition to seal script, Mr. Bao Junyi's cursive script also has his own personal characteristics and profound traditional skills. In my opinion, Mr. Bao Junyi's most outstanding artistic style is to integrate the inscriptions into one, which has both the richness of the inscriptions and the agility of the stickers, and has a sense of beauty like molten gold and cast iron. The style orientation of cursive script in contemporary book circles is mostly beauty and cleverness. Once upon a time, a kind of calligraphy that pursues exquisite calligraphy became popular in contemporary book circles, thinking that otherwise it would not be traditional, but it was all wet! When we see that the gorgeous style of calligraphy and the patchwork form of calligraphy written by two kings have been applied to the point of flooding, we have to rethink what tradition means to contemporary calligraphers. The so-called tradition without mind and temperament is false and archaic, which will inevitably lead to the real decline of traditional spirit. Fortunately, in Mr. Bao Junyi's cursive script, we don't see the shyness popular in contemporary book circles, but the true feelings of an artist. His cursive script is based on the tradition of calligraphy, but it also injects his personal artistic pursuit and artistic logic in modern times. Trying to complete a contemporary calligrapher's real understanding of tradition and times in individuality and originality. Mr. Bao Junyi's cursive script originated in Wang Xizhi, Mi Fei and Huanggu, followed by Wang Duo, Huang Daozhou and other ancient cursive masters. With Li Pumao's pen power and breath, he devoted himself to cursive script and finally found a unique personal appearance through decades of efforts. In the process of his long-term study of rubbings, stippling has become more dignified and heavy, and its posture has become more and more intense, showing an ancient and flying aesthetic interest. And the pen cadence, just the right winding, quite a bit of Youlong rolling beauty, very colorful, can be put. To a certain extent, being strong and smart are a pair of contradictions in art, but the place where a mature artist can best embody his artistic talent and skills lies in his ability to balance contradictions. This ability is not achieved overnight, and it must be tempered for a long time. As sun said in the score: "the heart is tireless and the hands are not forgotten." If used in the discipline, familiar with the mind, naturally tolerant and erratic, meaning to write first, chic and erratic, Han Yi flying, but also the heart of the sheep, almost endless; I can't see the whole cow. " For Mr. Bao Junyi's calligraphy art, we can look at it this way.
works appreciation