Li, 1962, born in Qingzhou, Shandong Province, is a painter. He is now a member of China Artists Association, China Gongbi Society and Shandong Artists Association.
He studied in the flower-and-bird major of China Academy of Fine Arts and the calligraphy major of China Academy of Fine Arts, and graduated from "Advanced Chinese Painting Class of He Shuifa" of Hangzhou Normal University and the first postgraduate class of flower-and-bird painting creation of China Academy of Fine Arts (National Day _).
Chinese name: Li.
Nationality: China.
Ethnic group: Han nationality
Place of Birth: Qingzhou City, Shandong Province
Occupation: painter
Graduate school: China Academy of Fine Arts.
Main achievements: Member of China Artists Association.
Representative works: Autumn Moon, Silent Night Thinking, Lotus Pond Mist.
Award-winning exhibition
In 2007, Qiu Shuo was selected for the third national art exhibition. (China Artists Association)
20 17 "Fog on the Lotus Pond" was selected as the second China Ink and Wash Exhibition "Freehand China-Damei Liaoning". (China Artists Association)
On 20 16, the work "Whispering in the Quiet Night" was selected for the national exhibition of Chinese paintings in Qingzhou, Hanmo. (China Artists Association)
20 16 works were selected for the Rong Baozhai Chinese Painting Biennale -20 16 National China Art Exhibition. (China Artists Association)
20/KOOC-0/6 The work "Dawn" was selected as the national Chinese painting exhibition in "Chasing Dreams in Ahava" on 20/KOOC-0/6. (China Artists Association)
20 14 "Wake Up in the Morning and Autumn" was selected for the second "Exquisite Stand" modern meticulous painting exhibition and was collected. (China Artists Association)
20 14 "Song of the Prosperous Age" was selected for the 8th National China Art Exhibition in Hundred Flowers Award. (China Artists Association)
20 14 works "Yimeng Late Autumn" was selected as the first national flower and bird exhibition in Hanmo Qilu. (China Artists Association)
20 1 1 The work "Qiu Meng Tower Liang Yi" was selected for the China Contemporary Flower and Bird Exhibition. (China Artists Association)
20 10 The work "Drunk Autumn" was selected for the 16th Asian Games National China Art Exhibition. (China Artists Association)
In 2008, his work "Listening to Autumn" was selected for the 5th China Western Landscape Chinese Painting and Oil Painting Exhibition. (China Artists Association)
In 2005, Qiuyang was selected for the nomination exhibition of Taihu Chinese painting in Xukou, Suzhou. (China Artists Association)
In 2009, the work "Clear Autumn" was selected into the first flower and bird exhibition in Shandong Province.
In 2004, the work "A Tree in Spring with Cold Plums and Warm Days" was selected for the 10th National Art Exhibition in Shandong.
Personal work
Part of Li's works
Inherit, realize and innovate.
Comment on Li's He Shuifa Flower and Bird Painting
2 1 century is a century that keeps pace with the times. As a visual art, Chinese painting is in an era of great change. Change is very important, change is common, change is alive, and change is endless. Therefore, Chinese painting must change, persist, develop and carry forward the traditional national cultural spirit in the changing spirit and form. I think the innovation of Chinese painting must be rooted in the traditional art of China. Starting with a deep understanding of Chinese painting, deepening understanding in practice and adhering to the traditional literati spirit in a new form in the new context are also my lifelong pursuits.
A painter not only paints with pen and ink, but also paints with thoughts. Pen and ink is a form, what they really want to express is your ideological realm. I'm afraid I can't, but I'm afraid I can't think of it. When you have an epiphany, you will be suddenly enlightened, so that you can make progress step by step, deepen and create miracles. Innovation needs change, and change is a partial denial of tradition. Innovation is a long process. While inheriting the traditional pen and ink, it is very important to accumulate the feeling of life. To understand life from birth to maturity, we should gradually absorb all aspects of comprehensive literacy, foster strengths and avoid weaknesses, and develop our own characteristics. Modern ideology is the aesthetic feature of your time. Only with the aesthetic taste of the times can we create new style characteristics, make this ancient painting style reproduce charming modern charm in expressing contemporary people's emotions and tastes, and give the spirit of ink painting contemporary significance.
Shu's younger brother was born in Qingzhou City, Shandong Province. In his artistic course, he has gone through more than 20 years through continuous artistic practice and self-cultivation. If you want to "learn from foreign teachers" and get your heart from it, you must take the method, because the excellent results of the method are the most important. The source of mind is a process of creation and change, and thick accumulation can make thin hair. In order to further improve my professional level, I came to China Academy of Fine Arts to study flowers and birds in 2002, and then studied calligraphy in China Academy of Fine Arts. In the process of extensive study, I learned the essence of China's calligraphy and painting art by learning the strengths of others and making up for my own shortcomings. In the "He Shuifa China Flower-and-Bird Painting Advanced Seminar" sponsored by me, I was able to seek advice and study hard in the process of learning, and achieved gratifying results in this year. I was moved by his firm determination and hard work.
In his early years, Li started from the study of Song Dynasty, and absorbed the styles of Hua Xinluo and Ren Bonian, forming his own artistic charm. Then draw nutrition from the paintings of Ivy, Poplar, Badashanren, Wu Changshuo and Pan Tianshou. At the same time, he does not stick to the previous methods, explores and explores, and takes a new road to innovate. The living environment and personal experience determine the meaning of the materials. The ancients said: "One side of the soil and water will support one side." Everyone has different career and success because of their birthplace, cultural background, educational background and life experience. Li is honest and kind-hearted. The way to understand the problem is obviously different from others. He loves life and values it. For decades, he painted life, feelings and his spirit, which made the tradition develop through inheritance.
Admittedly, there are still some shortcomings in his works, but we can see that he pursues the interest of the times in the art of flower and bird painting. While inheriting the spirit of China's traditional culture, he also transformed many important factors of traditional culture from aesthetics to formal techniques. He wrote a new chapter in flower-and-bird painting with the feelings of a modern person and beautiful and chanting style.