199 1 was selected in the first national calligraphy exhibition and joined the Shandong Calligraphers Association.
1992 was selected for the 5th National Calligraphy and Seal Cutting Exhibition and joined the China Calligraphers Association.
1993 was selected as the fifth national exhibition of young and middle-aged calligraphy and seal engravers; Selected for the second national book exhibition; The issue 1 1 of Young Calligrapher Magazine specially published Yu Mingquan, a young calligrapher.
1994 was selected for the third national seal cutting exhibition; Selected for the first national calligraphy exhibition of couplets; Selected for the first national book fair.
1995 won the first prize of the 6th National Exhibition of Young and Middle-aged Calligraphy and Seal Makers; Calligraphy guide
May 1995, 10 published a special issue of works and a short article "Some Words"; Nanhai Publishing Company published "Yu Mingquan Calligraphy Seal Carving Collection".
1996 won the bronze prize of the second national couplet calligraphy exhibition; Selected for the first national cursive calligraphy exhibition; Selected for the first national fan calligraphy exhibition; "Calligraphy Guide" 1996 issue 1 published a special introduction with an article "Monologue"; The fifth issue of Friends of Calligraphy 1996 published a collection of Quanming calligraphy comments, and famous calligraphers, Guo Zixu, Hua Rende, Cong Wenjun, Wu and Wo Xinghua wrote comments respectively. Calligraphy Guidance1On July 24th, 996, he published a paper "Several Issues on Neoclassicism of Calligraphy".
1997 won the first prize of the 7th National Exhibition of Young and Middle-aged Calligraphy and Seal Cutting Works; Selected for the second international seal cutting exchange exhibition; The 5th issue of China Calligraphy magazine (1997) published a special newsletter about Yu Mingquan's calligraphy creation. In the first China (Tianjin) Calligraphy Art Festival, it was rated as a fine work in the national exhibition of 100 fine works of calligraphy.
1998' s works were included in The Complete Works of Modern Fine Arts in China Calligraphy Volume (published by Hebei Fine Arts Publishing House) and The Collection of Calligraphy in Zhongnanhai Volume II (published by Xiyuan and Du); "Star" Poetry Magazine 1998 No.8 Power Square Column launched a group of poems "Mock and Silence" (6, signed like this); Won the silver medal of the eighth Stars Award of the Ministry of Culture, and the Shandong Provincial Department of Culture recorded the third class merit for it; Selected into the Exhibition of Representative Works of Contemporary Famous Calligraphers, compiled into the exhibition collection, and published by Du Fu and Henan Fine Arts Publishing House.
1999, as one of the seven representatives of China Book Association, participated in the exchange meeting of the China Federation of Literary and Art Circles to report the creative experience of 100 outstanding young writers and artists to the motherland, and won the title of 100 outstanding young writers and artists in China. In 2000, he won the first prize in the 8th National Exhibition of Young and Middle-aged Calligraphy and Seal Cutting Works; Officially joined Canglang Shudu; He was invited to attend the' 99 China Calligraphy Exhibition and gave a speech on "Calligraphy Tradition and Traditional Calligraphy". The article was published in the third edition of Calligraphy Guide165438+1October 22nd. The paper "Ten Skills Training of Calligraphy Education ≠ Knowledge Teaching —— Reflections on the Present Situation of Calligraphy Education in Colleges and Universities" was published in the No.1 1 1 issue of Friends of Calligraphy magazine, and was selected into the Collection of Calligraphy Education Research published by Du Fu in Dalian. Huaxia Publishing House published the copybook of contemporary young and middle-aged calligraphy masters-Yu Mingquan's Collection of Poems in Running Script; Invited to participate in the filming of "50 National Contemporary Famous Calligraphers' Five-body Calligraphy Copy Demonstration VCD" published by Jiangsu Electronic Audio-visual Publishing House; His works were invited to participate in the International Calligraphy Exhibition of the 6th China Art Festival, and were included in the collection of works of the International Calligraphy Exhibition. His works were invited to participate in the second National Famous Calligraphers Invitational Exhibition of China Calligraphy Association, and were included in the collection.
200 1 Calligraphy Guide >; On February 28, he published a special topic, and joy chen wrote "Singing of the Soul-Reading Yu Mingquan's Running Poems"; Collection of Essays on Books is an early collection of Meng Zhai, which was published by Yanshan Publishing House. Yu Mingquan Volume, published by Shantou University Press, contains ten great works of contemporary famous young calligraphers.
Published more than 300 thousand words of book theory articles in national professional newspapers and periodicals. His works have been selected into The Complete Works of Modern Fine Arts in China, Calligraphy Volume, Works of the 6th China Art Festival International Calligraphy Exhibition, etc. He has published many works and collections, such as Right and Wrong-Cultural Exploration and Contemporary Narration of Calligraphy Tradition, The First Collection of Chang Meng (Calligraphy Essays), Yu Mingquan Volume, Ten Masterpieces of Contemporary Young Calligraphy Masters, Ten Lectures on China Calligraphy Classics-Epitaph, and Jin Nong (Taiwan Edition).
Yu Mingquan's real name is Yu Mingquan, and he shouldn't wait. 1963 was born in Laoling, Shandong Province. Member of Education Committee of China Calligraphy Association, Associate Research Fellow of China Calligraphy Institute of Chinese Academy of Art, Vice Chairman of Shandong Calligraphy Association, and member of Canglang Bookstore in China. Now he is a professor and tutor of master students in Shandong Art College. His calligraphy works won the first prize in the 6th, 7th and 8th China Youth Exhibition and the second prize in the 3rd China Calligraphy Lanting Education Award. He has published many articles, such as Right and Wrong of Calligraphy Tradition-Cultural Exploration and Contemporary Narration, A Course of Calligraphy Seal Cutting (Editor-in-Chief), The First Collection of Chang Meng, Yu Mingquan Volume, Top Ten Masterpieces of Contemporary Young Calligraphy Masters, A Collection of Contemporary Masterpieces in China, Yu Mingquan, Ten Lectures on Epitaphs, and Calligraphy Appreciation of Jinnong in Past Dynasties.
Creative notes:
Poems, books, paintings and carvings were called "leisure" and "carving insects" in ancient times, and also called "gadgets" in rivers and lakes. Now they are collectively called "works of art". But what is "art"? It is not easy to make it clear that people have different opinions. Because it is not easy, there are different opinions, vague and obscure, and profound and mysterious. In fact, "art" is nothing more than an artist's "talking". Talking is very ordinary, how can it be profound and mysterious? Gombrich said that there is no such thing as art in life, only artists. Why? Art is an artist's "talk", and only artists can speak first. When an artist stops "talking", he is no longer an artist; If artists stop talking, there will be no so-called "art" in life; An artist is a fake artist when he says other people's words, lies, nonsense and inexplicable words. Nowadays, pseudo-artists can also fool the masses into making waves, but in the end they often don't show disgust, especially in art history. Speaking of it, Whitehead is called expression and textbooks are called creation. Speak in dialect or Mandarin; It can be eloquence, or silence is golden; You can be very happy with your eyes, ears, nose, tongue and body, or you can meditate all day. Speaking, you can "speak" to your ears or eyes; You can "talk" with others, you can also "talk" with yourself, and you can even "talk" with the empty universe and the distant future; Maybe, I just want to say, I have to say, I have to say, to whom, to vanity. Speaking of it, in the end, the "heart" is talking, or even "not talking" is talking. Some people may never say it well, but they have to say something; Some people may always seem to speak well, but in fact they don't have "words" Talking often means saying nothing. Therefore, the important thing for painters and calligraphers to do is to use those lines to draw their own words, say what they are thinking, and say what they really can't hold back. That's all.