Zimo gathers fragrant dust, and the snow falls in front of the village. Dong Jun's intentions are painstaking. It is expected that spring will come everywhere first, and plum blossoms will blow. Lyric translation and annotation translation of landscape writing in spring
Yesterday, I went to Dongcheng for an outing. The red pestle on the wall is dark, as if it were tilted down. All kinds of flowers and plants on the inner side of the railing have not yet exposed their buds, and the pace of spring has not yet arrived here.
On the beautiful path, women pass by, raising dust and falling flowers. It just snowed in the village in front of them. Is this the hard step of the God in charge of spring? Presumably, spring has come, and the soft wind blows plum blossoms first.
Creative background: In November of the fourth year of Xining, Song Shenzong (107 1), Su Shi went to Hangzhou as a general judge. In the early spring of the fifth year of Xining in Song Shenzong (1072), Su Shi wrote this word after exploring the spring in the eastern suburb of Hangzhou. Appreciate the first part, and write the scene of the eastern suburbs of Hangzhou in early spring and the mentality of spring explorers with the method of scene blending. "Leaving Dongcheng yesterday" points out the time and place of exploring spring in the eastern suburb of Hangzhou. "Try Chun Qing", a word "try" vividly conveys the spring explorers' desire for love. "The red apricots on the wall are as black as falling", which is the first act of Tanchun. The red apricots sticking out from the wall are as green as oil. Let people first appreciate the charm of "all love can't be caged, and an apricot comes out of the wall" (Ye Shaoweng's poem "A Garden Is Not Worth Visiting" in the Song Dynasty) and "All branches of an apricot are spring" (Song Qi's "Yulouchun" in the Song Dynasty). "I haven't vomited the fragrant buds in the sill, but I have rejuvenated." In a pair of contradictory sentences, it is pointed out that in early spring, the tender buds and leaves of all kinds of flowers and plants in the fence have not been exposed, but outside the fence, they have returned to the earth in spring, which is the return pen buried for the transition to the next film.
The second part echoes the previous one in a way of inheritance, and writes the second scene, the third scene and the village scene of tanchun until it enters myth and fantasy. "Qi Mo Ju Xiang Dust" is about the "spring scenery" of men and women on their way to explore spring. This is a beautiful country road. It is a road that "fine dust blows all day, but fans sleepwalk home" (the word Niannujiao written by Nalan Xingde in Qing Dynasty), and it is a road that gathers the footsteps of women exploring the spring and leaves fragrant dust. There seems to be a little charm of "eat, drink and be merry, and the fragrance falls far away" (Shen Quanqi's poem Luoyang Road in Tang Dynasty). Thousands of Villages in Xue Ji describes another "spring" scene that men and women see after entering thousands of villages. After the snow stopped and the weather cleared, only the flowers and plants covered with snow and ice in the fence were left in the former village, and no new buds appeared. The corresponding red chamber and red apricot were wrapped in red makeup, which was particularly enchanting, which was a wonderful pen to answer the ambush scene. "Dong Jun has good intentions", and the person who wrote Tanchun entered a wonderful dreamland wholeheartedly. God, who directs the spring movement, you paint the radiant spring with such care, and you greet it with such gallantry. By the Tang Dynasty, Cheng's Liu Zhi Ci had already emerged as a representative of spring outing. "Dong Jun cherishes early spring and grass is new everywhere." "It is expected that spring will come first everywhere, and plum blossoms will blow." As soon as the pen turns, it turns off the passion, and it is not only the red apricots on the wall, the strange dust, the village in front of the snow, Dong Jun's intentions, but also the places where you can't guess that spring comes first. At first glance, it is a plum blossom that has just sprouted. The last two sentences, "Looking forward to spring blooming everywhere and blowing plum blossoms", make the finishing point and sublimate Su Shi's pursuit of noble character of plum blossoms to a new height.
Su Shi (1037-1101) was a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu. Su Shi
The spring breeze begins with plum blossoms in the garden, and the first time is cherry blossoms, apricot blossoms, peach blossoms and pear blossoms. In that deep village, the spring breeze came to me. -Tang Bai Juyi's Spring Breeze
The spring breeze begins with plum blossoms in the garden, and the first time is cherry blossoms, apricot blossoms, peach blossoms and pear blossoms.
In that deep village, the spring breeze came to me.
Write spring flowers, willing to disappear, water lingering in distant villages. Cattle and horses put more spring grass, and Harada plowed ancient monuments. It's late in the snowy mountains, smoke from cooking stoves is accompanied by sunset, and the shadows of trees are faint. Wan Li Huangsha, it's hard to look back at Qinyuan. -Zhou Puzi's Qin Huaichun in the Tang Dynasty Qin Huaichun
I hope to disappear in the wilderness, and the river lingers in distant villages.
Cattle and horses put more spring grass, and Harada plowed ancient monuments.
It's late in the snowy mountains, smoke from cooking stoves is accompanied by sunset, and the shadows of trees are faint.
Wan Li Huangsha, it's hard to look back at Qinyuan. In spring, I miss the past, shed tears for young trees, brush green water and shake the east wind. Flowers and jade shut off the snow, leaves warm the golden window smoke. The beauty thought for a long time and felt very sad. Climb the fence to fold the spring scenery and send it to Long Ting. -Tang Li Bai's "Folding Willow" folds the willow
The weeping willows brush the green water, shaking the east wind year.
Flowers and jade shut off the snow, leaves warm the golden window smoke.
The beauty thought for a long time and felt very sad.
Climb the fence to fold the spring scenery and send it to Long Ting. Yuefu, Spring, Women's Missing