(1) Using the front: Making good use of the front is the advantage of Nantie. The intuitive factor of the south direction of the North Monument in Epitaph of a Black Woman lies in the subtle and accurate use of the front part of the stroke position and source. For example, many horizontal paintings show the nib, while some paintings and vertical pens are easily pointed out. In addition, some strokes are obvious, and although the stitches are thin, they are not weak, which suddenly increases the agility and vitality of stippling.
(2) Turn: Most of the northern inscriptions turn to extended pens, or fold corners, or have seen pens, all of which are based on facts. However, The Epitaph of a Black Woman is also subtle. Its methods include before light reform, before changing with the trend, after folding and pressing. And with the corresponding changes in the radian of the lines, the lines are suddenly full of vitality and vitality.
(3) Side brush: Most of the northern inscriptions are sharp, while Fang Bi is simple, and the side brush is straight, so is Epitaph of a Black Woman. This tablet is carefully carved, sideways, and the knife is turned from side to middle. The carving knife is as follows, which unifies the two different aesthetic feelings of square cutting and fullness in line operation, and fully shows the richness, diversity and flexibility of the pen at this moment. Elegant, quaint, Shu Ya, elegant and so on. Elegance is a universal and popular term, which can include all aesthetic types of elegance. There are two characteristics of elegance-antiquity and elegance, which have both the characteristics of general elegance and the connotations of simplicity and antiquity. Although Shu Ya is elegant, it doesn't have to be ancient. It is soothing, smooth, comfortable and fresh on the basis of elegance. Or it can be said that it is soothing, smooth, comfortable and fresh, which makes "elegance" richer and more substantial. The beauty of Epitaph of a Black Woman belongs to Shu Ya's category, so it depends on the lightness and fluency of its pen on the one hand and the lightness and naturalness of its structure on the other.
This record belongs to the rights of the North Monument. But this "righteousness" is different from the "righteousness" of the Tang Dynasty. The integrity of the Tang people is rigorous and rigid, with uniform shape and little change. At present, the integrity of the structure includes many contrast factors such as density, reality, inclination and relaxation, which makes it naturally unified. Although there are not many strange things in Epitaph of the Black Woman, it is not as good as the board after all. Generally speaking, although the words are listed in a separate box like many epitaphs, it does not seem to give people a sense of calculation. The font size is ever-changing, sometimes tight, sometimes loose, sometimes square and sometimes flat. This carefree change strengthens the elegance and naturalness of the structure. The Epitaph of Zhang Heinv is not only exquisite in brushwork and elegant in structure, but also pays attention to the emptiness in space and reflects reality with emptiness. The sharpness of the pen and the agility of the Bank of China made the turn slow. At the same time, the wide use of short lines is closely related to density. More importantly, the stele body is dense, the glyph is horizontal, the composition is white and wide, and the words are tightly tied in the palace and embedded in it, without any sense of relaxation. The traditional calligraphy art strictly requires the word "Fa". If students want to learn Buddhism, they should seriously study the famous ancient tablets and stickers, so that they can learn nutrition from them, that is, inherit them. This inheritance not only introduces the beginning of our calligraphy lovers' learning calligraphy, but also accompanies our life-long creation. Learning calligraphy is different from learning Chinese painting. One way to learn Chinese painting is to learn from the famous paintings of former people. Another method is to learn from the specific images of nature, such as landscapes, flowers and birds, people and so on. That is, sketching. Learning calligraphy directly takes the original inscriptions of predecessors and deepens the comprehension ability in learning. Over time, we can realize that calligraphy art contains the beauty of all things in nature.