Hello, I just saw your question. The key to writing is how to write a word well. A simple sentence is that "Jin people have a long history, Tang people have a long rhyme, and Song people have a high rate of calligraphy", which is recognized by the calligraphy circles of past dynasties. Brush and hard pen are both calligraphy, and the key depends on the brushwork. Different people and different techniques can derive unlimited calligraphy styles, and calligraphy has unlimited development. The writing tools of the Jin Dynasty were rough and the techniques were simple and unified, so from now on, the calligraphy of that era was unpretentious, advocating nature, unpretentious and characterized by beauty and vigor. The Tang Dynasty witnessed unprecedented economic development and long-term social stability. Coupled with the emperor's admiration for calligraphy, calligraphy reached the extreme, characterized by strict rules and perfect refinement of basic techniques of regular script. The Tang Dynasty is the most prosperous period of regular script, and its characteristics are full of charm. Other calligraphy styles, such as running script, have also made great achievements, but they were covered by the achievements of running script, followed by calligraphy in Song Dynasty. Because the calligraphy in the Tang Dynasty, especially the running script, was almost perfect, and the rules of the running script were discovered to the extreme, it was difficult for future generations to make achievements in the running script, so they turned their attention to the changeable and dynamic running script. After mastering the basic rules of running script, the writer decided to write a book.
Now you should know what a good word is. This is not the way you practice in Tian Yingzhang, but you should write your own style. The practice of covering copybooks with transparent paper and tracing is only suitable for primary school students. The effect is slow. You can compare it. It will take a lot of time to write according to Tian Yingzhang's regular script. That's not the point. The key is that he provided you with a template modified by computer PS, which is an effect you will never practice. A real template with good handwriting, through close observation, you can see the stroke gestures of starting and closing the pen, and you can see the subtle echo of each stroke in a word. This is called stroke gesture, which makes the words look "angry". But if you practice the words in computer fonts, for example, Tian Yingzhang can make basic strokes with his own words, then make a single font, input it into the computer to generate a computer font program, and then randomly generate handwritten hard-pen copybooks according to the words. But the simulated words in this copybook have lost their strokes, and the beginning of each stroke echoes the last stroke or the end of the last stroke of the previous word. The last stroke of each word echoes the beginning of the next word, so every word echoes and the whole work looks "angry", which is the key to why I can't practice the copybook modified by computer PS. Computer copybooks are independent of words and pens, and the strokes written by computers are highly unified without any change, which is impossible for human hands to do. Therefore, computer copybooks are not suitable for copybook practice from strokes to structures.