Li Qunjie’s personal achievements

He saves the public opinion as a century-old figure. He is ashamed of his false reputation and forgets the past like smoke. He has a selfless heart and a broad mind, is optimistic and open-minded, and works diligently for the party and the people as always.

Li Qunjie has been passionate about the art of calligraphy since he was a child. Regardless of good or bad times, he has worked hard to achieve greatness. His calligraphy is steep in development, vigorous and simple, with vivid charm throughout, and smooth brushstrokes, like an upright scholar. His main writing is lively and unrestrained, his writing is vigorous, his head is hidden and his tail is protected, his writing is inserted into the paper, and the seal meaning is included in the middle, without the disadvantage of floating and frivolous. His running writing is free and easy, and every line is like a strong man's fighting strength. At other times, it is like holding a cup in hand and reining in the horse, with a detached attitude, and the intermittent movements of the strokes are purely natural and completed in one go. Many monuments, plaques and couplets of famous places in Yunnan were created by him. His calligraphy has spread far and wide to Taiwan, Hong Kong, Japan, the United States, Switzerland, Germany, Singapore and other regions and countries. His works are collected in the Chairman Mao Memorial Hall, the Central Cultural Palace of Nationalities, the State Administration of Cultural Heritage, and the Yanhuang Mausoleum Museum of Culture and History. There are works engraved as stone tablets in Jiangnan Stele Forest, Sansu Temple Stele Forest, Hanyuan Stele Forest, Yellow River Stele Forest, and Shengquan Stele Forest. He is a famous Chinese calligrapher who is well-known at home and abroad. His works are highly praised domestically, and 10 authoritative institutions at home and abroad have awarded him the Honorary Certificate of Contemporary Calligraphy and Painting Celebrity. In his later years, he also served as the honorary director of the Yunnan Literature and History Research Center, chairman of the Provincial Calligraphers Association, and director of the National Calligraphers Association.