"White marble comprehensive decoration" is made of white marble, ceramic pigments, gold and silver, plant dyes and so on. The theme is the comprehensive decoration of flowers and birds, fish and insects, landscapes and figures. The comprehensive decoration of white marble, using the characteristics of white marble with paper as material, porcelain as quality and infiltration dyeing, decorates white marble carving in various forms such as baking, dyeing, painting and embedding. The comprehensive decoration of white marble perfectly combines the characteristics of ceramics, Chinese painting, calligraphy, paper and ink of China's classic traditional culture, which is the first in human history. Especially the looming sweat line and the harmony of pen and ink are natural and ingenious, perfect and full of meaning. Especially the flower-baking stone tools, combining white marble, the main carrier of China's royal culture, with China porcelain, a symbol of China, will surely collide with a huge cultural spark. In terms of technology, stone carving, ceramic painting, infiltration coloring, painting and calligraphy, mosaic, special barbecue and other comprehensive decorative techniques are adopted.
"plush chair" material; White marble, 5×5×5.9cm traditional auspicious pattern. The weight is 38 grams, and the diameter of the finest configuration is 0.25cm. The technological level successfully challenges the technological limit of fragile white marble carving. Although the works use the creative techniques commonly used in contemporary sculpture to enlarge or shrink objects, it is a re-innovation of traditional themes. It is not easy to make the building materials of bridge pavement into high-grade carving crafts with higher price than gold. Its material cost is less than a penny, which fully embodies its technical value. Especially in line with the national resource protection strategy, leftover materials left over from history can also transform the survival and development needs of large-scale material-consuming artists. Once the works came out, they were favored by people from all walks of life, releasing the unique aesthetic feelings of noble and elegant oriental literati, and at the same time pushing the white marble carving technology to a new height. The products are roughly carved, finished and polished by hand.
The "Olympic Dragon" is carved from the best white marble, commonly known as loong, and it is a memorial sculpture of Beijing People's Olympics in China. The works are based on the auspicious clouds with the most China characteristics, with the dragon representing the Chinese nation as the model, with the Olympic emblem as the background, with the most intuitive main body modeling to express the contents of the humanistic Olympics in China and Beijing, and with the auspicious clouds fluttering and the dragon soaring to reflect the spirit of the China Olympics. In terms of techniques, stone carving and jade carving are combined, and the method of layer-by-layer compression of relief is combined with round carving techniques, emphasizing the soft and delicate expression of white marble. In 2008, he won the gold medal of China People's Olympics souvenir.
"Grateful" people come from nothingness and go to nothingness. A hundred years of material growth process, grateful to their mother. The strong mother has enough milk to feed her offspring. She is simple and gentle, symbolizing Mother Earth. The purpose of the work is to awaken human beings' awe and gratitude for nature.
Candlelight is made of white marble. 40 x 50 x 60 cm. The author fell in love with a peerless beauty "white marble". But he still wants to marry her to the moon, because then people all over the world can appreciate her extraordinary beauty. So he lit a huge candle and finally made a very beautiful wedding dress for her in the candlelight for more than ten years. The work embodies the complex feelings of the author's marriage with his lover. At the same time, the work directly expresses the selfless dedication of "the spring silkworm dies, and the night candle is exhausted".
The material of "root" is white marble. 42x40x49cm, Xiao traditional theme. Roots refer to the place of origin. Trees have roots and water is active. Everything in the world has a source, and human beings also have a common ancestor. Xiao culture is an important part of Chinese culture. The two trees with the same root represent the two emperors of China, and the twelve zodiac animals growing on the trees represent all China people, whether you are a rat, an ox, a tiger, a rabbit, a snake, a horse, a monkey, a chicken, a dog, a pig, or whether you are at the end of the world or a cape. In terms of technology, the round carving and traditional decorative carving technology are combined, and in order to reduce the vibration of the machine or carving, the pure manual grinding technology is adopted in the later stage.
Phoenix dance pile-materials; White marble. According to legend, Zhou Wenwang played the piano under an ancient buttonwood tree, which attracted phoenix birds to berth and hundreds of birds to worship the phoenix. Since then, the buttonwood tree in China has become an environment for recruiting talents, and the phoenix has become a symbol of talents. The work depicts a phoenix proudly returning to find that the buttonwood tree was cut down. In desperation, I found that the roots of the buttonwood tree had sprouted, and the phoenix lowered its head slightly, thoughtfully.
Song of the forest, material; White marble. In the universe, human beings (animals) and forests (plants) are relatively dependent yin and yang systems. But when human beings cut down forests and destroy the ecology, they often don't see that they are hanging themselves. The author was free to drink natural water when he was a child, but now he has to pay for it himself and carry it tirelessly, which was unexpected at that time anyway. The author can't help worrying; "I have to pay for breathing air in my later years. Do I have to bring an oxygen bag when I go out?" The current earth ecology is worrying. Song of the Forest summarizes the forest (that is, plants) into four stages: germination, breaking ground, spreading branches and bearing fruit in autumn. At each stage, three individuals (that is, the meaning of three lives is infinite) are used to form sculptures independently. The work not only symbolizes the hardship and joy in the process of becoming a talent, but also expresses the author's understanding and expectation of the system of human life dependence.
"Towards the new century" material, white marble. The work is 5 meters long, 5 meters high and 8.9 meters high. It is the theme sculpture of Shiwo Cultural Square in Fangshan District, Beijing. The work is surrounded by an arc-shaped volume, which is strongly twisted and rising, taking the sleeping dragon as a sign of its strong development and progress. The shape of two rockets is arranged in the center, and the scattered shapes are unified around a circle, which means that all walks of life unite around the party, keep pace and develop together, symbolizing unity and progress.
One of the space series
Fish also uses the curvy beauty of catfish and the beautiful material of white marble to express a dreamy atmosphere, which makes people seek decorative elements and fun in silence.
"Many children are blessed" material, white marble. 30 x 40 x 30 cm. The work carved a lifelike frog from an abandoned scrap, lying on a group of frogs, with novel ideas and techniques, which fully reflected the importance of applying art according to its material. Many children are a traditional theme, but it has achieved obvious results.
The "Soul of China Sculpture" is made of white marble inlaid with mongolia black. Size: 5200mx2100cm stands in China Stone Carving Art Park, which is one of the most important cultural landscapes. The work divides the complex sculpture history of the whole Chinese nation into ten parts, which has obvious characteristics of the times. The ten sculpture times are confused and confused ancient sculptures, mysterious and ferocious sculptures of Xia, Shang and Zhou Dynasties, exciting sculptures of the Spring and Autumn Period and the Warring States Period, majestic and majestic sculptures of the Qin Dynasty, vigorous and vigorous sculptures of the Han Dynasty, quiet and detached sculptures of the Wei, Jin, Southern and Northern Dynasties, gorgeous sculptures of the Tang Dynasty, secular and enthusiastic sculptures of the Song Dynasty, exquisite and complicated sculptures of the Yuan, Ming and Qing Dynasties, and modern sculptures of westernization. The works blend with the humanistic spirit of the park, visualizing the intangible history of China sculpture and presenting it to people like an epic, simplifying and popularizing thousands of years of vast sculpture knowledge, exaggerating the theme of China Sculpture Art Park, popularizing sculpture knowledge, increasing people's interest and love for sculpture art, and profoundly embodying the close relationship between Dashiwo Sculpture and China Sculpture.
China Stone Carving Art Park is made of white marble and blue white stone. It is 23 meters wide, 9.5 meters high and weighs about 280 tons. According to the functional needs of the door and podium, the archway absorbs the essence of tradition and combines modern ideas. Decorated with carved dragons and painted buildings and the unique calligraphy art in the East. The giant reliefs with the theme of environmental protection are divided into four groups. In the East, two groups of animals are free. In the meantime, all kinds of plants are in their places, and all kinds of natural landscapes leap over the walls, but no one can find them, which embodies the essence that the earth is also an animal home. The two groups in the west show that human beings already have forests, grasslands, lakes, rivers and various human landscapes made by themselves. Many creatures have become slaves to be slaughtered, expressing the theme that human beings should be satisfied and awakened.
Early pottery-material, white marble. 45x55x70cm cm. The works are summarized as androgynous sculptures through the modeling of plants and characters, which are intended to express the natural law of things from low to high and from simple to complex, that is, the essence of Chinese studies of "one life, two lives, three lives, and endless life". Using plant morphology can shorten the distance with the masses and increase affinity.