Sang's calligraphy absorbed the essence of Wang Xizhi's calligraphy and was original. He is good at regular script, running script and cursive script. His writing is beautiful and fresh, "floating like a cloud, agile as a dragon". That kind of deliberate and flying posture is very obvious in his regular script. As a well-known contemporary painter and calligrapher, some of his regular script strokes are long and too correct, while others are adapted to the occasion. Within a word, the structural relationship between strokes is still unclear. Therefore, the specification is incomplete, the combination is loose, vertical and short, horizontal and long, looking like a flat plum, with a tendency to expand horizontally.
Sang Jinke, a contemporary calligrapher, uses a pen, with depressing strokes at the beginning, and mostly enters the paper with Fang Bi; And the pen receiving place did not intentionally fold the pen and press it again, but gently lifted the tape back; In terms of pen speed, it is slow before and then urgent; In the form of strokes, it is even and compact, like an array. After such a transformation, the regular script font is in Sang's hands, the configuration relationship between strokes is basically established, and the structure changes from horizontal to vertical, regular and vigorous, graceful and elegant, generous and decent.